- Aug 2, 2007
- 1,753
- 70
- 48
I always trigger kick(s) and snare and have been using DDrum pro triggers.
I hate the sound of triggered toms compared to the studio's well tuned Sonor S Class toms.
I originally bought the drum set pack with an extra kick trigger.
I have gone through the snare and all 3 tom triggers (on snare) over the past few months plus 2 extra transducers. On the last album I did, one of the kicks died and so did my last spare transducer for the snare leaving me with the unenviable task of automating a gain plugin before Slate Trigger on a duplicate of the snare mic track to get the snare hits. PITA!!!
I had enough so after reading advice here, I ordered Roland triggers for kick(s) and snare.
I got a tom trigger for the snare because I don't need the second side stick sensor.
Had my first session with them today and they track far better than the DDrums. I was recording a pop punk band and had no problem tracking buzz rolls on the snare.
The recorded sound of the Rolands is much fuller compared to the "click" of the DDrums. I know you are never going to hear this sound but it does track better.
The design is much better too. You can adjust how hard against the skin the transducer is pressed allowing you to have it just touching the head whereas the DDrums were always mashed against the head with the foam completely squashed.
This is probably the main cause of all the failures I was having.
The only downside is they are TRS jack output rather than XLR so I ordered 3 20 foot TRS to Male XLR cables. I will pack these cables in the same drawer as the triggers so they don't get lost.
I can't comment on reliability yet but lots of people have said they are bullet proof.
Hope this helps anyone either thinking of changing to the Rolands or buying triggers for the first time.
I hate the sound of triggered toms compared to the studio's well tuned Sonor S Class toms.
I originally bought the drum set pack with an extra kick trigger.
I have gone through the snare and all 3 tom triggers (on snare) over the past few months plus 2 extra transducers. On the last album I did, one of the kicks died and so did my last spare transducer for the snare leaving me with the unenviable task of automating a gain plugin before Slate Trigger on a duplicate of the snare mic track to get the snare hits. PITA!!!
I had enough so after reading advice here, I ordered Roland triggers for kick(s) and snare.
I got a tom trigger for the snare because I don't need the second side stick sensor.
Had my first session with them today and they track far better than the DDrums. I was recording a pop punk band and had no problem tracking buzz rolls on the snare.
The recorded sound of the Rolands is much fuller compared to the "click" of the DDrums. I know you are never going to hear this sound but it does track better.
The design is much better too. You can adjust how hard against the skin the transducer is pressed allowing you to have it just touching the head whereas the DDrums were always mashed against the head with the foam completely squashed.
This is probably the main cause of all the failures I was having.
The only downside is they are TRS jack output rather than XLR so I ordered 3 20 foot TRS to Male XLR cables. I will pack these cables in the same drawer as the triggers so they don't get lost.
I can't comment on reliability yet but lots of people have said they are bullet proof.
Hope this helps anyone either thinking of changing to the Rolands or buying triggers for the first time.