shall I sell my 2ch Dual Recto for an SVT4 Pro?

I would trade my SVT-5 pro for a Rec but the shipping would kill both of us I'm sure, also worth looking at Svt 3's but yeah Mesa 400+ are a total winner as far as I'm concerned.
 
Dude, get the SVT-VR! The closest thing to a vintage blueline you will find.

If you can't afford that, get a used Trace Elliot V6, or failing that one of the other tube amps. SVT-4s are one of the worst Ampegs you can find.

An Eden isn't in the same league sorry, I have one and the V6 kills it for grit...
 
Recorded a band that borrowed an eden traveller 550 the last few days. Awesome bass head- sounded great, was super easy to dial in and we didn't even hook it up to a cab. When I get enough to buy a bass head for the studio I'm definately getting one of these. Smokes anything I've ever used before.
 
I keep waiting for one of the bass amp manufacturers to come out with a decently priced, all tube, lunchbox-style head like the Rev Jr, Gigmaster, etc. All of the multi-trillion watt bass amps out there now are complete overkill for the smaller studios, IMHO.

But if I was going to put in my vote, I had an SVT Classic a few years back and the thing sounded awesome live. I'm sure it wouldn't be too shabby in the studio. I'm not an SVT4 fan though.

Bobby
 
I keep waiting for one of the bass amp manufacturers to come out with a decently priced, all tube, lunchbox-style head like the Rev Jr, Gigmaster, etc. All of the multi-trillion watt bass amps out there now are complete overkill for the smaller studios, IMHO.

I'm going to speak of my experience of hearing the amps live, and trying them out, not in a recording enviroment (I have minimum experience there).

I have a Traynor YBA 200 (200 watts) with 4 KT88 and the V1 preamp tube replaced by a Sovtek 5751. It SLAYS for metal bass tones, and fits the needs you described.
People complain that it is a very bright amp with generally too much high mids at around 2kHz, but that is(generally) a positive characteristic for the type of tones you would need for metal, because it emphasizes the "clank frequencies". Also, it has a nice natural compression that is normal of all tube amps. The amp didn't sound stellar with the stock 12ax7 on the V1 (too much unnecessary gain), but after the change, with an Aguilar cab with 10" speakers and my Dingwall bass I get the best tone (metal tones) that I've ever heard coming from a source in front of me (read: not on a recording). I just hope to get some means to record it in the future. The trick with this amp is equalizing it. It has a strange fender-style tone stack in which flat is aproximately treble at 2, mids at 10 and bass at 2 (mids are basically cut only).

The SVT4 is not, IMO, a very good amplifier, especially when you have in account it's pricerange. The meaty and compressed sound people associate with Ampeg is typical of their all-tube amps, not their hybrids.