I'll side with Sid. Mind you, I'm ever so fond of Waters-era output, but it's all so... fenced-in and 4/4 and sing-along (okay, not all of it, but a lot!). Which is good, but which also has its limits.
Sid's stuff was more disconcerting, dizzying, odd, frightening, and unnerving. I think this era of da Floyd was most potent. I hope ol' Sid's not still peeping out the mail slit in the front door and cowering at shadows. Poor lad.
Just imagine what music we'd have if he'd never totally gone off the latch.
Mind you, if you also want to speak of post-, not pre- Waters-fronted-Floyd, I am maybe the only person who actually sorta liked the Division Bell.
Sid's stuff was more disconcerting, dizzying, odd, frightening, and unnerving. I think this era of da Floyd was most potent. I hope ol' Sid's not still peeping out the mail slit in the front door and cowering at shadows. Poor lad.
Just imagine what music we'd have if he'd never totally gone off the latch.
Mind you, if you also want to speak of post-, not pre- Waters-fronted-Floyd, I am maybe the only person who actually sorta liked the Division Bell.