Well, since glenn did not post this here, here it goes. Once more, slapping the truth "in your face" ahah Awesome.
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All valid points in the video but I blame shitty music on shitty music/musicians....fixed or not most of the stuff still sucks in spite of it, not because of it.
There was a long anti-this circle jerk on facebook so I won't say anything other than this: The fans absolutely do not deserve better.
There was a long anti-this circle jerk on facebook so I won't say anything other than this: The fans absolutely do not deserve better.
Even I mostly kinda agree to Glen, but I think it's not a crime to have song sounding just like I want. I'm lone wolf "musician" for some time already and I play only guitar, I can't afford to hire bad ass drummer, or bass guitarist, or top notch vocalist. Because of that I'll use drum programming, edit bass guitar track because my bass playing skills sucks, and ask friend who sings better than me to sing it... well since he's just sing better than me doesn't men he sing 100% like I'd like it, I have to edit that too.
Fans deserve good music, that sound like MUSICIAN intended.
He did exempt amateur and bedroom musicians. He's saying that if you're going into a studio, doing the whole pro thing, you need to do it for real, because giving the "fans" something that isn't real does them a disservice.
Essentially saying all big name producers/releases suck?
Who is this guy.
With the way some are reacting to this, you would think we got into this industry with the dream of fixing sub par performances. What Glenn appears to fundamentally be saying is that we've come to a point where musical ability has declined because of this reliance on editing. Artists that have no business being in a studio are putting out records. I agree with this. I imagine you would be hard pressed to find any audio professional, who does this job day in and out for a living, to disagree. You generally get into this business to nurture creativity, to help an artist bring their vision to life. If they're stumbling all over themselves in the studio, you're recording takes two seconds at a time and then slipping and tuning after every block, that's one of the prime joys of the process gone.
Being an avid fan of electronic music, I get that there is a time and place for hyper-reality. Primarily, when you've tracked an amazing musician and you're hoping to marry their performance to synths, or other grid-locked elements. When editing is done to further a creative desire as opposed to simply pushing through horrible performances, it becomes a great tool. That angle might be something Glenn overlooked in his video, as the primary focus seemed to be on band-based music.
As far as the fans deserving anything... I don't know about that. If we're talking about the same people who rip albums off the net like there's no tomorrow, then you'd be hard pressed to prove that the artist owes them anything. The market is what it is. If shitty autotuned synth-pop is the flavor of the month, and that sells and pulls crowds, then by market logic the fans are dictating that they want more of it - hence, entirely deserving.