Yakuza - Transmutations

circus_brimstone

Forest: Sold Out
Jul 5, 2003
5,154
13
38
41
Indiana
Yakuza – Transmutations
Prosthetic Records – 10049-2 – August 7, 2007
By Jason Jordan

yakuzat.jpg


Whereas their previous endeavors were considerably rougher around the edges, Japan’s, er, Chicago’s Yakuza have hit the nail on the head with the hour-long Transmutations as far as production is concerned. Even if their most recent offering isn’t their best, it definitely sounds better than Amount to Nothing (2000), Way of the Dead (2002), and their Prosthetic debut Samsara (2006). Sanford Parker (Minsk) again lends his recording abilities to the group, and similarly, neither the songwriting nor the musicianship have changed a great deal, which means that the foursome’s latest is another intriguing, melting pot. Yet, Transmutations doesn’t clearly outdo Yakuza’s prior work.

Doomy, seven-minute opener ‘Meat Curtains’ demonstrates the group’s range, moving from a slow, sludgy pace to one that is fast and jarring, even though those familiar with Yakuza already know to expect tempo and instrumental variation. The Minsk influence really manifests itself on tribal, sax-laden drifter ‘Egocide,’ although it doesn’t drift for long. Not coincidentally, Bruce Lamont threw down guest sax on Minsk’s Relapse debut The Ritual Fires of Abandonment, so a natural likeness to each other isn’t surprising. There’s also noticeable Black Sabbath vibes swirling around throughout the record, which, again, isn’t flabbergasting since bygone pieces veered that direction, too. ‘Congestive Art-Failure’ and ‘Praying for Asteroids’ are both heavy, rambunctious numbers, while ‘Raus’ has that patented Neur-Isis feel aside from the clean, echo-y vocals. ‘Steal the Fire,’ at just over two minutes, is a short burst of fury, which appears right before the Middle Eastern forces of ‘The Blinding’ come into play. ‘Existence into Oblivion’ is essentially made by Staffel’s drumming and Lamont’s saxophoning. ‘Perception Management’ is similar to ‘Egocide,’ though ‘Black Market Liver’ seems focused on vocals more than any other attribute – this time everyone except drummer James Staffel contributes vocalizations of some kind – further lending credence to the notion that Transmutations is a vocal record. Closer ‘Zombies’ explores the dichotomies found in opener ‘Meat Curtains’ and elsewhere, making a nice book end.

Package-wise, the main differences this time around are that a statue doesn’t grace the cover artwork as in the past, and that the booklet is of the poster variety, so it folds out. Unfortunately, the lyrics were printed to form a large circle – just like the track listing on the back – and reading them proves tedious. Still, the art’s symmetric, geometric design is a pleasure to take in.

On the whole, Yakuza are a complex outfit, and the song descriptions above merely scratch the surface of such multifaceted tracks that are obviously more effective when heard. Transmutations requires more effort than Samsara and its predecessors, but the results are nearly the same. In other words, if you haven’t enjoyed this unique band up to this point, Transmutations won’t change that. If you have, then this is another worthy investment.

Official Yakuza Website
Official Prosthetic Records Website
 
Got this album Friday and it was a difficult first listen, but once you get past the first stage, it's a great album.

Structurally bolder then Way Of The Dead & Samsara and definitely more vocally oriented, but still has the brilliant timing shifts that has made this band so notable.

Any fans of fusion, extreme progressive and experimental bands (or fans of Mastodon or the like) should really listen to this band.