- Aug 14, 2008
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I've been spinning Mike Oldfield's new album "Man on The Rocks" a lot lately. I got it on release because I always liked his stuff, and he's a legend in prog rock, so if you're not hip to his music, I highly recommend checking out this new one. Everyone knows him in some form or another because of "Tubular Bells" - but his more recent works are great as well.
However, I've been listening to Man on The Rocks a LOT more than usual lately after gaining a new appreciation for the record after a new trailer for Metal Gear Solid V: The Phantom Pain, which used the song "Nuclear". This happens to me every once in a while. I'll dig a song and pass it over, but occasionally I'll rediscover it somewhere else due to some sort of new plug - whether it's plugged in a trailer for a movie or game, or I hear it on the radio, and it just gels with me. I go from liking it, to loving it.
Does this happen to you guys? I feel like a lot of people (especially in metal) will refuse to admit this phenomena affects them because of false pretenses of "authenticity" in how they discover music. What do you think?
However, I've been listening to Man on The Rocks a LOT more than usual lately after gaining a new appreciation for the record after a new trailer for Metal Gear Solid V: The Phantom Pain, which used the song "Nuclear". This happens to me every once in a while. I'll dig a song and pass it over, but occasionally I'll rediscover it somewhere else due to some sort of new plug - whether it's plugged in a trailer for a movie or game, or I hear it on the radio, and it just gels with me. I go from liking it, to loving it.
Does this happen to you guys? I feel like a lot of people (especially in metal) will refuse to admit this phenomena affects them because of false pretenses of "authenticity" in how they discover music. What do you think?