I don't think filtering everything is good advice. Instead be judicious at each stage a filter affects everything above the filter point (phase relationships) so you get to point B but not without affecting A.
Improve the source (room) and the mic, then if you need to use filters you can, but I cannot remember ever using a HPF on a 100-150Hz issue, a parametric EQ maybe but not a HPF.
i was not implying that the OP should hp filter everything @100Hz
Chart
most instruments can be hp filtered @ 30-40Hz
before compiling a drum mix (or complete mix), it would behoove the recording engineer to track the drums/instruments in a room that is acoustically maintained for quality performance and by using phase coherent practices such as mic placement, gain staging and phase switching (agreed).
while vocals, guitars, overheads and other misc. instruments are typically hp filtered @90Hz & up, low frequency information below 40Hz in non-musical content. these fundamental/harmonic values can potentially mask content in the low-mid range content.
filtering is a practice supported significantly by electrical engineers and professional recording/mixing engineers (obviously).
it is simple to assume one would not use educated judgment when applying these methods. it would also be an erroneous assumption that subtractive equalization by way of a parametric equalizer is not going to be used at all.
i don't believe my advice to be correct (or the best for that matter)... however this advice was given to me by none other than alan parsons. he can be quite convincing for obvious reasons.
anecdote:
there are a few methods in sidechaining filter/eq into compressors that i use on almost every channel. this will subdue the unwanted frequency without completely eliminating it.
