Acoustic Drums for Metal: A Guide

xtranscendedx said:
Wow you got balls man:OMG: thats a lil extreme but hey if it works

Definitely...if someone did that to the rhythm player in my former band, the session would have been over because in a fit of anger, he probably would have either A) Knocked the producer over the head with his Les Paul, or B) Taken the same the same pair of plyers and cut through all the cords in the back of the producer/engineer's rack. I wouldn't try to stop him either...he was a big guy, bench pressing 560 lbs by the time he was 21 back then!
 
xtranscendedx said:
Wow you got balls man:OMG: thats a lil extreme but hey if it works

It caused a rather nasty stand-off but this guy was a shit hot guitarist who thought he knew it all and he needed to be put in his place.

silverwulf said:
Definitely...if someone did that to the rhythm player in my former band, the session would have been over because in a fit of anger, he probably would have either A) Knocked the producer over the head with his Les Paul, or B) Taken the same the same pair of plyers and cut through all the cords in the back of the producer/engineer's rack. I wouldn't try to stop him either...he was a big guy, bench pressing 560 lbs by the time he was 21 back then!

As big as he may have been if he was thick enough to not tune before a take, AFTER being asked to, then I'd still have done it. Anyway, the bigger guys are usually not as agressive as they have no need to try and 'prove' themselves.
 
Razorjack said:
As big as he may have been if he was thick enough to not tune before a take, AFTER being asked to, then I'd still have done it. Anyway, the bigger guys are usually not as agressive as they have no need to try and 'prove' themselves.

I'm with you there...he would have been tuned flawlessly, because he was meticulous like that. But, he was definitely an aggressive guy though. I recall one gig in particular...we were playing in a mid-sized bar, were in the middle of a song, and some guy moshing (while drunk) rams into the mic stand in front of Brian (guitarist), which causes it to fall and bash him in the mouth. In the middle of a song, he stopped playing, walks over and kicks the guy down, falling into a table and onto the ground with drinks flying...then puts his guitar back on and continues playing like nothing ever happened...:tickled:
 
~BURNY~ said:
OzNimbus, what tuning do you use for toms? I mean top and bottom? I managed to tune some drums with the DW technique lately... With my ears... That wasn't very good. But finding the shell resonance frequency seems to make sense.


I go by tension watch numbers. My kit is 12X10 14X12 (big motherfucker) and 16X14.
12" 65 top, 60 bottom
14" 57 top, 50 bottom
16" 57-55 top, 50 bottom.

You can try switching the numbers around, top vs bottom, as well.

One thing to remember, however.... Just because these numbers work on my kit doesn't mean they'll work on yours. The key is to experiment..... but if you don't have a tension watch, and you're just beginning to learn, you'll be flying blind.

--Glenn
 
Good stuff! Man, plywood on the floor... wouldn't have even guessed. I always assumed it was best to have as little reflection as possible. Can't wait for the next installment!
 
OzNimbus said:
I go by tension watch numbers. My kit is 12X10 14X12 (big motherfucker) and 16X14.
12" 65 top, 60 bottom
14" 57 top, 50 bottom
16" 57-55 top, 50 bottom.

You can try switching the numbers around, top vs bottom, as well.

One thing to remember, however.... Just because these numbers work on my kit doesn't mean they'll work on yours. The key is to experiment..... but if you don't have a tension watch, and you're just beginning to learn, you'll be flying blind.

--Glenn

I have a question about the tension watch. My set (Noble & Cooley CD maple) has inserts in the lugs so that they don't slip, will the tension watch still work with it?
 
OzNimbus,

How do you build those Hemholtz resonators?
If remember well it was quite complicated in the early days.
We recorded in a big studio. Two songs for an album. The studio had chipwood on the non parallel walls and carpet on the floor. We just read an article about Cozy Powell recording the "Tilt" album. He removed the carpet from the floor, concrete! We did the same and.....our drumsound was the best compared to the other bands! Plywood or concrete, it's reflective. That's what its about I think

Very cool tread OzNimbus! :worship:
Real drums!
(You don't hear them anymore these days)