See, I'd like to get an electric kit and use real cymbals. I think that'd be sick.
Well, all the drums were sample replaced in the end (you can hear the real drums in a short snippet in 'Reclamation' and they sound AWFUL), so not sure what the point in that was.
Anyway, was thinking about this some more and.
Doing it this way is going to kill all and any groove your drummer has.
You're going to get a more natural performance, as well as better sounds, by just sample replacing everything.
Haha at the time Josh Wilber *wasnt it?* said there gonna be NO sample replacement anywhere on the kit. I said to Chris when I got a chance why didn't you just drumagog it and that would cut out all the bleed and he said something about sounding sampled, so I said well take samples of the kit your using first then trigger those later but it fell on deaf ears.
I felt abit weird trying to give advice to a pro![]()
See, I'd like to get an electric kit and use real cymbals. I think that'd be sick.
[UEAK]Clowd;8668620 said:You just record the drummer normally, do your editing, delete the overhead tracks, then record again but don't have him hit the drums. Edit the cymbals as necessary, and you are good to go.
See, I'd like to get an electric kit and use real cymbals. I think that'd be sick.
Why not the first take with real drums + e-drum cymbals and the second take with e-drum + real cymbals?[UEAK]Clowd;8668620 said:You just record the drummer normally, do your editing, delete the overhead tracks, then record again but don't have him hit the drums. Edit the cymbals as necessary, and you are good to go.
:S
I recognise the snare from something in my sample library, I've got the raw thing, or at least the main sample. I like it and use it quite a bit.
I love that drum mix, I think that album has the best mix of anything in 09, but I found it odd to go through all that weird tracking just to end up replacing it all.
1:32 in 'Reclamation' has the real drums.
Well this way you bleed on the toms/snare/kick anyway... am I wrong?
the first time you record, you gotta mute the cymbals with foam.