Bathory/Quorthon

Blood Fire Death is much more black-tinged thrash than Hammerheart, with two more epic numbers (title track and "A Fine Day to Die") that kind of hint in the direction he'd take on the next couple of albums.

All the songs fucking rule though :kickass:
 
Blood Fire Death is much more black-tinged thrash than Hammerheart, with two more epic numbers (title track and "A Fine Day to Die") that kind of hint in the direction he'd take on the next couple of albums.

All the songs fucking rule though :kickass:

Peccatum's cover of A Fine Day To Die (Moribund People EP) is fucking incredible.
 
there are many good things to say about quorthon, but he did commit some serious musical crimes as well. he surely did not consistently put out good material and even his best work has major flaws. the first couple bathory albums, bathory and the return are not as good as venom's first couple albums. many of the tracks are rather poor and very sloppy. quorthon really found himself with blood fire death, especially with the tracks "a fine day to die" and "blood fire death" which set the direction for bathory for the next two albums. hammerheart is the pinnacle of bathory's music. twilight of the idols is perhaps less epic and more emotional, but it is certainly a worthy follow up. the major problem with both of these great albums is the really cringeworthy singing. quorthon could never sing properly, but even his scream on the earlier albums was more bearable. he is at his worst trying out clean vocals here. after releasing two great albums quorthon unfortunately lost his direction. the viking theme, the innovative orchestration etc. was gone for about ten years. the next two raw "thrash" albums, reqiuem and octogon, are at most enjoyable for one song at a time (and barely at that). the only good thing about them is that quorthon no longer sings in the style of the viking albums. also around this time quorthon released two truly atrocious rock albums under the band name quorthon. utter garbage, on the level of cold lake, even (the guy who wrote "one rode to asa bay" sings "i will never eat pussy again"!). destroyer of worlds was mixed bag of stuff, displaying the worst of bathory along with reminiscences of the viking albums. and the following nordland albums finallly found quorthon returning to what he does best, but the material is rather mediocre and certainly not on the level of hammerheart.
what is most laudable about bathory for me is the influence quorthon has left. it seems he could not execute even his best ideas properly for the most part. i find it rather difficult to go back and listen to bathory these days. celtic frost, for instance, seems to have a greater lasting quality.
 
Agreed... except the last paragraph: I've been thrashing out Bathory lots lately. Its the flaws in it which make it so real. Quorthon's singing being less than perfect is a great example - I feel he tells a story, as opposed to being a singer trying to tell one.
 
Imo there's no such thing as singing "properly." I've loved Quorthon's voice since I first heard the opening vocal lines on "Shores in Flames"! Even people that I know who are into polished pop music have remarked on the power and emotion of his voice!
 
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thank you :)
 
Also, "One Rode to Asa Bay" rules supreme as one of the most powerful metal songs I've ever heard!
Agreed. One of my all time favorites.

I also agree that he didn't have the most beautiful singing voice, but it was damn powerful and full of emotion.

Some of his earlier stuff was good, but I do prefer Hammerheart and Twilight of the Gods. His later albums don't quite measure up to those two, although Blood on Ice isn't bad at all.

I've only heard one of the "Quorthon" albums at a friends, and didn't really enjoy it much at the time, but that was many years ago, and I know my musical taste has changed since then, so I can't really give a fair comment about those...

As a small sidenote... In the 90s, I used to record Headbangers Ball + Into the Pit from MTV Europe, watching it the next day in the hopes that they'd play something good, but most of the time having to fast-forward through a whole lot of crap, only to find one or two decent songs (hence, a total waste of time watching it "live"). One night though, Aaron Stainthorpe (My Dying Bride) was choosing videos for Into the Pit and he played the whole 10+ minutes of "One Rode to Asa Bay". :rock: