Has anyone ever researched this?
Obviously, getting into setting up a label is a full time wack job - I mean, you've got to dedicate your life to it most probably.
But what about becoming a distributor? I would imagine that a distributor helps reproduce and finance albums only to sell them to retailers?
Take for example the band Prototype. Unsigned, and very popular on the underground scene. They've opened for Fates Warning, Entombed, Death - a whole bunch of established bands. Their album "Trinity" is really very good (we have a review) and they have a unique blend of Rush meets 'Preach' era Testament.
Interestingly enough, they are unsigned. Played for years in LA, but no label picked them up. They just played some prog fest in Holland recently. Their records are on sale under WWIII records (you'll see them on cduniverse and amazon) but WWIII are only the distributor (not a label)!!?
So how does one become a 'WWIII'? And how much $$ is involved?
:Spin:
Obviously, getting into setting up a label is a full time wack job - I mean, you've got to dedicate your life to it most probably.
But what about becoming a distributor? I would imagine that a distributor helps reproduce and finance albums only to sell them to retailers?
Take for example the band Prototype. Unsigned, and very popular on the underground scene. They've opened for Fates Warning, Entombed, Death - a whole bunch of established bands. Their album "Trinity" is really very good (we have a review) and they have a unique blend of Rush meets 'Preach' era Testament.
Interestingly enough, they are unsigned. Played for years in LA, but no label picked them up. They just played some prog fest in Holland recently. Their records are on sale under WWIII records (you'll see them on cduniverse and amazon) but WWIII are only the distributor (not a label)!!?
So how does one become a 'WWIII'? And how much $$ is involved?
:Spin: