The narration in "Dead To Me" is far too hammed up, I gotta agree. It could've worked really well, but forced and edgy are not a good combination whatsoever. "Dark Clarity" is energetic and bouncy, but unlike "Rescue Ride" and "Black Wings", it feels a bit restrained and insubstantial lyrically. I agree though, they're enjoyable listens, but I can only really do so when I'm listening to the album from beginning to end.
Yeah, I completely agree. When "Bye Bye Forever" is one of your highlights, there's something seriously wrong with your album.
I used to be absolutely love the first two albums and defend them to high heaven because Jake's vision for them was absolutely spot-on. The sort of 'Hollywood b-movie" lyrics give them identity and accessibility, but something about the music is a bit too cheesy for me these days. And while The Nexus is absolutely a step up musically, I found it seriously bizarre that Andy had probably seven minutes total out of fifty-one where he did vocals (I forget, it's been a while since I counted it up) and had so many repeated lines. I'm sure the repetition was for thematic purposes, but it feels like he got seriously sidelined on the album. Massive Addictive's probably my favorite these days, but then again, Jake got sidelined on it, so fuck. Maximalism definitely has the best balance of the three vocalists out of the classic albums, but considering that Jake only wrote two songs on it... It really isn't one of the classic Amaranthe albums, and although it's just as fun as the previous ones, it's vapid as hell. Considering my dissatisfaction with Maximalism at the time, hearing about Cyhra was everything I could've wanted.
Man, LTM was a 9 or 10 for me depending on the day. It's a fucking master stroke in everything I hoped it'd be, save for being a bit heavier, though that was something the follow-up could've improved on. When I heard the announcement that the next album would be more focused on making songs that'd work well live over the moody, somewhat gloomy feel of Letters, that was completely understandable. They didn't have that many songs on Letters that truly fit an arena. But Christ, they sacrificed everything for the sake of heaviness, and even then, that heaviness was not much whatsoever. Considering that I completely dropped being an active part of the fanbase after NHIH, I'm banking all of my investment in them on the next album. If it's as much of a misfire as No Halos, I'm straight up done with the band. Letters'll be to me what the first batch of In Flames albums are to that band's purists.