Used to have one in my Ibanez SZ320 (mahogany body and neck, maple top).
Cool for standard-tuned stuff, too bass-heavy for the more contemporary, drop-tuned stuff, IMO.
Never tried one for too long. I suppose it's alright. Gibson puts them in all-mahogany guitars, lol.How about a Gibson 500T?
Never tried one for too long. I suppose it's alright. Gibson puts them in all-mahogany guitars, lol.
What kind of tone are you going for?
I guess everybody's ears are different. You may dig the Super D for down-tuned chuggah chuggah. Depends on what are you going for.
The facts, though: The Super D pumps out more low-end than the EMG 85, and a hell of a lot more than an 81. It's not a muddy-sounding pickup, and it's actually not as smooth in the top-end as an 85 either, but I don't think that's usually what the members of these forum are going for, but everybody's different.
I used one for about ten years tuned to drop C, worked very well in that tuning. After I went to drop Bb, not so much. I ended up with an emg 81 in that guitar.
Did it start getting flubby sounding on you?
Terrence Hobbs (Suffocation) uses a Super Distortion in a Mahogany BC Rich tuned to C#.
But can you be sure what he used on the studio?
Mind that there's a return policy. You can get a Super Distortion and if you don't like it just return it!
Yes i'm positive, i'm sure Terrence records all of the guitars other than Guy's solos.
I wouldn't call the Super D scooped. More going on in the low-mids than high mids, but it still pumps out lots of mids overall.