gumplunger said:Nope, Cubase has helped me write very effectively and record quickly.
stringyo said:Just went from Tracktion 2 (very, VERY easy to use) to Sonar.
So many buttons. So many.
Hopefully I'll get the hang of this program so I can get back up to pace with my songwriting.
Carrier Flux said:I think they changed the name from "cakewalk" to "sonar" because cakewalk was a serious misnomer.
I'm not familiar with tracktion but I use sonar. after you get the hang of it, the power of all those extra buttons becomes much more intuitive. you can also strip down the track interface view so that you don't have nearly as many buttons showing, I do this and I've been using cakewalk/sonar for maybe 8-10 years. you just don't need everything that's on there.
if you're intimidated with it you have to take baby steps. first thing would be a multitrack recording. get comfortable with that. then move on to mixbuses or midi. the nice thing about DAWs like sonar or cubase is that you don't need to know the program inside and out to make it incredibly useful. you just need to get comfortable enough with it that it doesn't impede your workflow. and yes, that will take some time. but in my experience it was well worth the effort; and now that I'm comfortable with sonar my workflow is as smooth and efficient as ever.
EtherForBreakfast said:Stringyo. Traktion is pretty similar to CoolEdit/Audition, etc. Nothing wrong with those apps at all, but you are better off to learn some of the big guns.
I was a cake/sonar user for a LONG time. I switched to SX3 about 2.5 months ago and wont look back. SX annihilates Cake when it comes to MIDI, and the audio engine also feels more stable... call me crazy but I think SX sounds better than Sonar.
Ideally, stuff should be "drag and drop" and "plug and play" but that really is not the case. In order to do advanced things, and get beyond laying down some cheez ACID loop and sporking a few guitar tracks, you really owe it to yourself to learn a professional program inside and out and become intimately familar with all things MIDI.
There are so many books and resources out there to help with learning. I am number 1 fan boi of books and e-books and video tutorials. I'm knee deep in Stylus RMX right now and fucking LOVE the thing. I was impressed right off the bat, but now that I am getting deeper into it and learning how sick it is, my mind is being blown constantly.
Having a nice midi controller / control surface / programming custom key commands/shortcuts will really help with flow.
Just remember, you can always hit F1 at any time and type in a query. =)
Once you get to the "professional" level programs, they're all pretty much the same with just slight differences in terms of interfaces and such. So the best program to use is the one that you're most comfortable with, for me that would be Sonar.stringyo said:Maybe I should try Cubase...shit, SX is like $600. How about that M-Powered Pro Tools? Hmmmm....
stringyo said:Just went from Tracktion 2 (very, VERY easy to use) to Sonar.
So many buttons. So many.
Hopefully I'll get the hang of this program so I can get back up to pace with my songwriting.
get a cheap midi keyboard controller. they can be found for like $75 US.Mutant said:What i like to do is quickly record any idea (whistling or humming to the microphone) in Adobe Audition and then slowly and painfully enter the notes with a mouse in SX2.
When i try to do it directly in SX2 - it takes too much time and i always forget the melody, get frustrated and lose my inspiration.
006 said:I only have 768mb on my PowerBook G4 15" and I'm running DP4.61 with rediculous sessions already...not quite sure why you'd have any problems. Macs are very efficient machines when it comes to the CPU and RAM and the demands of any program you run on them. I've never had a program close on me once in my year of having this laptop. Not in the two years of having my dual 2.0 G5 either. Never had a single problem running anything on either of these babies. Maybe I'm just lucky?
As far as Stringyo's problem goes...you need to get over your patience problems and just bite the bullet and learn a more professional program than Traktion. I'm sorry, but that host is a joke. I don't care how easy it is to use compared to the more professional ones out there. Cubase SX has proven to me time and time again that it's probably *the* best MIDI sequencer out there to date with the exception of Logic, but I'm talking from a Mac and PC standpoint, Logic being Mac only. I've even caught myself importing the bounced DFHS tracks back into Cubase to mix them in instead of DP or PT. I have never felt that anything in Cubase, DP, or PT was difficult to find or that it took me any longer to do one single action in one host than the others. It's a matter of learning the programs and how they are laid-out. Sure, Traktion probably had a much smaller learning curve, but there's a reason it's frowned upon and laughed about amongst the recording community, and there's also a reason why professionals choose Digital Performer, ProTools, Cubase/Nuendo, and even Sonar over things like Traktion. My opinion? If you want to step up your game get over yourself and just learn the damn program. Otherwise you'll be stuck in kiddie land with Traktion while the big boys are playing with much nicer things. But thats just how I view it.
~006