Ok. I've been using Misery Business as a reference for a while now. The tightness of that track adds so much to the production, at least to me. Well, I tried my best to edit it all. I did drums, that was easy. But I turn to bass and I am just slammed with a nasty transient-less wall of waveform. The bass is not nearly tight enough and neither are the guitars. Any tips on what you guys do for approaching editing for Guitar/Bass?
http://dl.dropbox.com/u/2376100/Hope For Heroes_Song 1_notTight.mp3
Does that sound weird to anyone? I just want to to groove, and I tried pocketing, but it just doesn't feel right to me.
I'm going to take a screen shot to show you what I'm dealing with.
Cliffs:
Before an edit
After
http://dl.dropbox.com/u/2376100/Hope For Heroes_Song 1_notTight.mp3
Does that sound weird to anyone? I just want to to groove, and I tried pocketing, but it just doesn't feel right to me.
I'm going to take a screen shot to show you what I'm dealing with.
Cliffs:
- How do you see guitar and bass transients when slip editing?
- What do I looking for in detecting attack?
- Does tabbing to transient save me time, or is it worth it to just do it manually?
![Screen%20shot%202011-01-07%20at%205.59.29%20PM.png](/proxy.php?image=http%3A%2F%2Fdl.dropbox.com%2Fu%2F2376100%2FScreen%2520shot%25202011-01-07%2520at%25205.59.29%2520PM.png&hash=74a2e87d8d163d70fcfc230638a35991)
Before an edit
![Screen%20shot%202011-01-07%20at%206.02.41%20PM.png](/proxy.php?image=http%3A%2F%2Fdl.dropbox.com%2Fu%2F2376100%2FScreen%2520shot%25202011-01-07%2520at%25206.02.41%2520PM.png&hash=f5d6bac77edd33187f551f662317e629)
After