Carcassian said:
Never in a million years even appoaching LHP in terms of songwriting or performance. Dark Recollections, aside from the odd riff or two, remains one of the most over-rated albums from the era.
Everything about
Dark Recollections - from its sophisticated (for the time) use of melody, to its expertly structured songs to its esoteric production values - leaves
Left Hand Path in the dust. It's just a more accomplished work on every level.
good, but hardly any more sophisticated than the music to be found on LHP
The basic technique is roughly similar, but
Into the Grave consistently creates moments of tension and drama through dynamic and rhythmic variation where
Left Hand Path just plows mindlessly ahead. Besides, both albums hang their hats on the aural punishment they deliver. The difference is that
Into the Grave is about five times heavier.
Soulside Journey is a death metal album, and so hardly from another scene.
A "scene" is a regional phenomenon. DarkThrone was never a part of the Stockholm circuit (though they did record initially at Sunlight Studios) that Entombed, Grave, Dismember etc. hailed from.
It is also puzzlingly popular for an album full of half baked ideas and rudimentary song writing.
Soulside Journey is easily one of the most sophisticated and complex death metal recordings of its era. It defies inattentive listening, however, because it avoids the easy absolutism of predictably resolving each phrase on the downbeat in favor of longer, more abstract phrases and ambiguity in resolution. In this it more closely replicated the ambivalence of an existence where violence and death are transformed by nature into a life-sustaining poetry, and, in doing so, pointed the way to the epic black metal to come (including their own).
Left Hand Path just recycles old riffs and old ideas in a condition of stasis. If it points to anything, it is Entombed's future as a bar rock travesty.