I picked up the new Evergrey album last night.
At first spin, I find myself...underwhelmed. And I'm not even sure why.
The lyrics. The lyrics are typical for Evergrey -- plenty of denial, betrayal, loss, fear, anger, regret and despair to go around. No real surprises there.
The vocals. Tom spits out words like bullets from a machine gun. But his singing seems to compete with the music, rather than soar above it or dynamically complement it as it does on my favorite Evergrey albums (In Search of Truth, Recreation Day and The Inner Circle). On the title track he sounds rougher around the edges than usual. Raspier. Maybe he was going for that sound in his voice to match the direness of the lyrics. I like Carina Englund's vocals on "Broken Wings" and "These Scars." They're a refreshing change of pace, a nice counterpoint to Tom's trademark style, especially on "These Scars."
The music. Ah, the music. The overall sound, especially the guitar riffs and tones, are as polished as on Monday Morning Apocalypse. So if you didn't like that offering, you probably won't like this.
The bonus track. "Caught in a Lie," the bonus track, is an okay song. It features a welcome piano break about 3/4 into it. That's the Evergrey sound I know and love! Mix things up a little. Add a plaintive-sounding piano here and there. Slow the music down before ramping it back up.
The cover art. Normally, I think Mattias Noren is a god. But the cover art for Torn doesn't seem to fit with the music inside. It looks more fitting for a sword & sorcery novel or folk-metal album. The photography inside the booklet is stunning. Fantastic pictures that capture the essence of the songs. But the cover art...? I'm not sure brown is the color I would have chosen. I don't get the feeling of mystery or wistfulness or exploring the depths of my mind from brown. And certainly not from that wood nymph-like creature that graces the cover.
Don't get me wrong. This is still Evergrey -- one of the coolest bands in the world. But I'm finding that their music of late seems, well, for want of a better word, safe. It doesn't seem as raw or edgy or risky or...?
Or what? What's missing?
Maybe nothing. Maybe it's just me on first listen. Early in the morning. Before I've had my Starbucks venti Americano. In time, Torn will probably grow on me.
What are your thoughts?
Bill
At first spin, I find myself...underwhelmed. And I'm not even sure why.
The lyrics. The lyrics are typical for Evergrey -- plenty of denial, betrayal, loss, fear, anger, regret and despair to go around. No real surprises there.
The vocals. Tom spits out words like bullets from a machine gun. But his singing seems to compete with the music, rather than soar above it or dynamically complement it as it does on my favorite Evergrey albums (In Search of Truth, Recreation Day and The Inner Circle). On the title track he sounds rougher around the edges than usual. Raspier. Maybe he was going for that sound in his voice to match the direness of the lyrics. I like Carina Englund's vocals on "Broken Wings" and "These Scars." They're a refreshing change of pace, a nice counterpoint to Tom's trademark style, especially on "These Scars."
The music. Ah, the music. The overall sound, especially the guitar riffs and tones, are as polished as on Monday Morning Apocalypse. So if you didn't like that offering, you probably won't like this.
The bonus track. "Caught in a Lie," the bonus track, is an okay song. It features a welcome piano break about 3/4 into it. That's the Evergrey sound I know and love! Mix things up a little. Add a plaintive-sounding piano here and there. Slow the music down before ramping it back up.
The cover art. Normally, I think Mattias Noren is a god. But the cover art for Torn doesn't seem to fit with the music inside. It looks more fitting for a sword & sorcery novel or folk-metal album. The photography inside the booklet is stunning. Fantastic pictures that capture the essence of the songs. But the cover art...? I'm not sure brown is the color I would have chosen. I don't get the feeling of mystery or wistfulness or exploring the depths of my mind from brown. And certainly not from that wood nymph-like creature that graces the cover.
Don't get me wrong. This is still Evergrey -- one of the coolest bands in the world. But I'm finding that their music of late seems, well, for want of a better word, safe. It doesn't seem as raw or edgy or risky or...?
Or what? What's missing?
Maybe nothing. Maybe it's just me on first listen. Early in the morning. Before I've had my Starbucks venti Americano. In time, Torn will probably grow on me.
What are your thoughts?
Bill