How much does external appearance influence our lives?
External appearance has a very real and tangible impact on each mans relation with the world. Everyday, each individual steps out into public (assuming ones is not an anchorite/cenobite or hermit of some form) one is judged based on ones external appearance. And this judgment is all encompassing: whether the person is white or black; male or female; well or poorly groomed; fashionable or out of touch; youngish-looking or old (perhaps even old-looking beyond their actual years); beautiful or ugly, athletic or out of shape, and so on. In fact, such immediate external judgments condition our attitudes about each person we meet. In a split-second one judges whether one will trust said person, or get to know them; whether or not this person has anything to offer, or whether one is romantically/physically attracted to said person. Indeed, this process off immediately sizing one up, and making such distinctions, has been covered quite well (considering its popular nature) by Malcolm Gladwell in his book Blink. Hence, many of the persons we choose or choose not to consort with, are those who pass this quick split second external test.
Now, such a process brings with it a number of interesting quirks. If one is beautiful or comely in some way, one will almost always be well-received and pass this split second test. If one is perhaps somehow oddcovered in tattoos, piercings, fat, ugly, or just different lookingwell, then said person will probably not be well-received by the average person. Now, people and society have adjusted, and certain forms of dress, styles, and appearance have been deemed friendly or fashionablein short, acceptable. Other styles of dress and appearance demarcate ones belonging to a certain group or way of life (i.e. the long hair and T-shirts of metal fans; the pale dank chromed look of Goths; the baggy colorful and heavily branded look of hip-hoppers; the dark-coat/suit and muted tie expensive and conservative look of businessmen, lawyers, politicians, etc.). In short, ones external appearance is consciously chosen to project a certain image one wishes to convey to society.
Thus far, it is obvious one makes judgment of others based on external appearance, and due to this fact, one dresses or creates an appearance of oneself that one wishes to project onto society. I am left with two ideas, and another I will discuss in the concluding paragraph. One, how accurate is this appearance one wishes to project (is it a mask?); and two, conversely, how does ones appearance affect ones understanding of oneselfI suppose of ones ontological being?
Finally, if physical beauty is always a positive, what problems does this create? Beauty is truth, truth beauty,'-that is all Ye know on earth, and all Ye need to know. Keats once penned. If we are predisposed to think of outward beauty as goodeven possessing the truththen what influence does this have on not only the beautiful themselves, but our own understanding of truth and the world? Is Plato in fact correct? Is the external form an impediment to our understanding of true beauty?
External appearance has a very real and tangible impact on each mans relation with the world. Everyday, each individual steps out into public (assuming ones is not an anchorite/cenobite or hermit of some form) one is judged based on ones external appearance. And this judgment is all encompassing: whether the person is white or black; male or female; well or poorly groomed; fashionable or out of touch; youngish-looking or old (perhaps even old-looking beyond their actual years); beautiful or ugly, athletic or out of shape, and so on. In fact, such immediate external judgments condition our attitudes about each person we meet. In a split-second one judges whether one will trust said person, or get to know them; whether or not this person has anything to offer, or whether one is romantically/physically attracted to said person. Indeed, this process off immediately sizing one up, and making such distinctions, has been covered quite well (considering its popular nature) by Malcolm Gladwell in his book Blink. Hence, many of the persons we choose or choose not to consort with, are those who pass this quick split second external test.
Now, such a process brings with it a number of interesting quirks. If one is beautiful or comely in some way, one will almost always be well-received and pass this split second test. If one is perhaps somehow oddcovered in tattoos, piercings, fat, ugly, or just different lookingwell, then said person will probably not be well-received by the average person. Now, people and society have adjusted, and certain forms of dress, styles, and appearance have been deemed friendly or fashionablein short, acceptable. Other styles of dress and appearance demarcate ones belonging to a certain group or way of life (i.e. the long hair and T-shirts of metal fans; the pale dank chromed look of Goths; the baggy colorful and heavily branded look of hip-hoppers; the dark-coat/suit and muted tie expensive and conservative look of businessmen, lawyers, politicians, etc.). In short, ones external appearance is consciously chosen to project a certain image one wishes to convey to society.
Thus far, it is obvious one makes judgment of others based on external appearance, and due to this fact, one dresses or creates an appearance of oneself that one wishes to project onto society. I am left with two ideas, and another I will discuss in the concluding paragraph. One, how accurate is this appearance one wishes to project (is it a mask?); and two, conversely, how does ones appearance affect ones understanding of oneselfI suppose of ones ontological being?
Finally, if physical beauty is always a positive, what problems does this create? Beauty is truth, truth beauty,'-that is all Ye know on earth, and all Ye need to know. Keats once penned. If we are predisposed to think of outward beauty as goodeven possessing the truththen what influence does this have on not only the beautiful themselves, but our own understanding of truth and the world? Is Plato in fact correct? Is the external form an impediment to our understanding of true beauty?