First I've recorded myself. Controstate - In Case Of Emergency

shadowstephenson

New Metal Member
Dec 9, 2009
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www.myspace.com/madilynmusic
In Case Of Emergency.

not the previous one.

I used a Presonus Firestudio Project, iMac, and Logic Pro Studio 8.
Acoustic drums:
Kick - Aaron Gillespie Sig kit.
Snare - Pearl somethingorother. (can't remember)
Toms - 12' and 13'
Cymbals - 21' Zildian Sweet Ride and 20' Zildjian A Custom Crash
Zildian K high hat.

Sampson drum mic 8 pack.
Mic on snare, toms, kick mic right at hole, mic on each cymbal and high hat.

Guitars recorded with Line 6 Spider Valve direct out.
No eq.

I need help with space and putting things into a spectrum, that's the thing i'm worried about right now.
plus, i don't know much about stereo and mono things.
advice on this would be GREATLY APPRECIATED.

Anymore info you need, just ask.
 
For your first recording that's not bad.

However I'd recommend against using the Direct Out of the Spider amp.

Also:

-Roll off the guitars at 75-100Hz to give the low end breathing room. 12dB/oct or so. Around 11kHz on the opposite side as well.
-Bass guitar?
-Keyboards sound good; too loud in comparison to the rest of the mix however.
-How many takes of rhythm guitar did you do?

I'd redo the guitars no question. Make sure to get a DI track if you're serious about maybe getting a studio to mix your stuff or if you want to use an Ampsim.

Better than my first recording :p
 
thanks a lot for your reply, man.

yeah, this'll make me sound like a 'noob,' but i don't know exactly how to roll hz's or stuff like that.
do you know any other threads or stickies that explain that?

oh, and:
-no bass, i realize now that that would help quite a bit, but this was made like 3 or 4 months ago. haha.
-and i did pretty much one rhythm track, one lead track for each part.
-yeah, the keyboards were meant to be a little louder during the 'breakdown' after the first chorus, just to kind of jump at you, i suppose. haha.

unfortunately, i cannot find the file for this song on my computer. :|
i'll look vigorously.
i know i can improve this thing tremendously.

I doubt that! haha.

oh yeah, what's a DI track?
(noobie.) ha.
 
First of all you should record 2 tracks of rhythm guitars and pan them 100% left and right in your recording software
to get at least some kind of stereo image. To get a bigger wall of guitars, you can record 4 rhythm guitars and pan
the 2 extra guitars around 80% left and right. In that case you might want to lower the volume of inner guitars abit.

By rolling of low frequencies, you open any EQ-plugin on your guitar track (or bus) and choose 'hi-pass filter' from the EQ-presets and set
the frequency somewhere between 75-100hz, the EQ will then cut the frequencies below that to make your mix sound clearer & less muddy.

Also you should set a 'low-pass filter' on the guitar tracks to cut any excessive highs, 12khz would be a good starting point.

So first thing to get a clearer mix is to set hi-pass/low-pass filters to every instrument. Different instruments prefer different
frequencies, and by reading ALOT in the 'Production Tips' section you'll get a better idea of those.

If you make a DI-track, you'll record the dry signal of your guitar. You can plug your guitar/bass straight in your presonus,
or use a DI-box if you want to hear your line6 tone while recording the dry signal or both.

The advantage of that is that you can then have the dry signal re-amped later, or try some ampsims on it to find different tones.
If you want to try ampsims, you'll then need also a program to load a cabinet, impulse responses (IR's), 'kefir' is a free program.
This forum is full of many great IR's recorded by other members. Search button will be your friend for a long time to come.

I'd start by reading the stickies in the 'Production Tips' area. Good luck now.