A lot of popular lyrical themes seem to revolve around historical concepts, and I suppose in metal a favourite focus is a medievalistic approach, either overtly or just in the musical approach. But how seriously do you think bands have actually bothered to consider the historical messages behind their lyrics.
For example, a somewhat worn out theme is the idea of paganism oppressed by Christianity, and (particularly) Scandinavian resistance to Christianisation, manifested most infamously in church burnings carried out, supposedly, in some act of 'veangeance'. But I just sometimes wonder how much bands bother looking in to history and how much they are tapping into an easily graspable concept of Christian oppression over unwilling pagans.
It could be argued for example that many pagan peoples weren't particularly aversed to Christianity, and often used it as a political tool - this is something that seems to be overlooked by most emotive lyrical takes on the period.
So, do you think bands are sincere when featuring anti-Christian lyrics in a historical context, or do you think this is rather their own complaints and angsts in reaction to modern day Christianity, being played out in an imagined and not particularly well-researched vision of the past?
For example, a somewhat worn out theme is the idea of paganism oppressed by Christianity, and (particularly) Scandinavian resistance to Christianisation, manifested most infamously in church burnings carried out, supposedly, in some act of 'veangeance'. But I just sometimes wonder how much bands bother looking in to history and how much they are tapping into an easily graspable concept of Christian oppression over unwilling pagans.
It could be argued for example that many pagan peoples weren't particularly aversed to Christianity, and often used it as a political tool - this is something that seems to be overlooked by most emotive lyrical takes on the period.
So, do you think bands are sincere when featuring anti-Christian lyrics in a historical context, or do you think this is rather their own complaints and angsts in reaction to modern day Christianity, being played out in an imagined and not particularly well-researched vision of the past?