I´ve tried with Halls, Plates, Rooms, the Taj Mahal....but I could not find anything like this, I hope anyone has a clue
I´m using TC Megareverb from Powercore. Thanks!
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Hit a cookie sheet with a dildo.
Thanks man! That snare kicks asses, but I´m still searching for the "baaaang"at the end more than the snare sound...you know what I mean?I've gotten pretty damn close to that sound; this is an example of some drums I'm mixing:
I've gotten pretty damn close to that sound; this is an example of some drums I'm mixing:
http://dl.dropbox.com/u/333261/Malthusia/Ringy Snare Example.mp3
Here's what I did:
Find a ringy snare sample, in this case I used Slate Snare 17a. Then I used some side-chain compression on only the snare sample. Crank the input of the compressor/limiter, with medium attack and the slowest possible release. Blend the compressed signal with the uncompressed snare. Here's a screen-shot of the compressor/limiter settings I used:
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I hope that helps!![]()
Isn't that the fastest release? I thought the 1176 attack and release knobs were at the fastest settings when fully clockwise?
I used Slate Snare 17a
Interesting to hear how the verb is automated on different beats. Or, that's what it sounds like to my ears.
I used to be a HUGE LoG fan.....and back in the day I heard that Adler said he never used triggers.....but....that sure as hell sounds like sample replaced kicks to my ears.
expecting an instance of bombfactory 1176 to behave in any way like a real 1176 is like expecting a barbie doll to have a real vagina.