How to treat grunts and high scream vocals?

Jun 2, 2005
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Does anyone have anything on this?

Thing is, once my songs are done, vocals will be added, they will be recorded in a studio with quality mics, so that's cool and a big plus, but i have no clue how to implement the vocals just yet.. in fact, i have never done this before, never did a serious attempt...

Articles? tips? own impressions and experiences?

I think i read somewhere that you need to treat vocals like solo's.. work a lot with compression.. (r-comp?)

Thanks in advance!
 
The less eq, the better (assuming the recording is clean). Hi-pass recommended though.
Gate is useful in many cases.
Deesser sometimes.
Compression mandatory except if you work with Celine Dion.
R-comp? why not? It's not the cleanest comp around. It depends on the style of sound you go for (dirty or clear).
If you need to compress a lot, an efficient way to keep the voice understandable (lot of compression tend to blurry the words) is to add a subtle (!) touch of exciter.
If the vocals are too mono sounding, you can use the early reflexions from a reverb to spread it a bit in a natural way. Avoid the doubling/panning technique or the "stereoïzers" plugins, they are often wearying on an entire song and even more on a whole album.
 
Brett - K A L I S I A said:
haha :) Actually I have already sent a vocal part through a high gain guitar head and got back the result with a 57 in front of the 4x12, and it sounded really cool (but that's more for a special effects indeed).
That sounds... interesting o_O. Could you post a clip of the results?
 
when i do "caveman" vocals, as i like to call it, i tend to use an sm57 and a good amount of compression and it always turns out really nice quality-wise. you don't need 3,000 $ mics to have a top quality sound.
 
KeithRT99 said:
when i do "caveman" vocals, as i like to call it, i tend to use an sm57 and a good amount of compression and it always turns out really nice quality-wise. you don't need 3,000 $ mics to have a top quality sound.
I actually think that when you record growls you can do it hand held, with a 57. I personally growl better when holding the mic and doing the whole theatrical permormance of pulling angry faces and such.
 
BURNY gave good tips. But I'll have to say that I don't use Gate nearly never on vocals. If used too much, it sucks the life out of the vocals. I rather just cut the excess break in DAW and mute them. Of course if you have too much background noise on the vocal track, then gate is your friend :)

Doubling takes is definetily worth it, works great on choruses etc. But don't overdo it.