And to answer a question poised earlier, curator reject artists all the time. More often than accepting them. I am married to an artist and have art teacher relatives.
Don't either make the mistake that I am defending bad art. I am correcting popular misconceptions and ill-drawn conclusions. There is no consensus and for every Picasso there are thousands of imitations and failures.
I am aware that for every artist that is accepted, probably thousands are rejected. That was not my point. Once one curator accepts an artist, it opens doors and makes it easier for that artist to exhibit again. Once someone is established as an artist, the consensus is created that what that person makes in the future is
art. Good or bad, which would be personal taste, but still
art.
It is futile to compare Renaissance art to contemporary. It is in error to draw a conclusion based on personal preference and call it fact. It is arrogant to presume ones preferences are more intrinsically meaningful.
Why is it futile? Contemporary artists use many of the same motifs as Renaissance artists did, just like
they again did with motifs from classical antiquity - for example Venus of the rags. The idea was then and is now to transform the art into something that fits the time of the artist and create something meaningful out of it. My point was simply that it used to take talent. Today it seems like the only thing you need is for someone in charge to say that what you do is meaningful enough to allow an exhibition, even though
you didn't actually create anything, like gluing a part of a railway track to the ceiling. Sure, it takes time, but you don't need any talent to pull that off. Recall that I did start this thread by asking if anyone can explain to me why that is considered art. I'm simply saying why I don't consider it to be so. If you can point out to me where I state anything as a fact, I will be glad to revise my utterances.
All of your comments, complaints and quips can be readily applied to music. You who lament fringe art praise fringe music. Don't be Janus. There is no consensus, there is no right or wrong art. There are only different views from which groups of different membership observe and comment.
Fringe music in the States, maybe. There is nothing special about listening to metal in Norway, therefore I'm not being Janus-faced. He was a dude anyway
. I do not lament it since I feel no sorrow or grief about it. It is more annoyance about where all this is going. In any case, music
is art, and I feel the exact same way about experimental music, which is more comparable to installation than Symphony X is.
I get what you are saying, art is subjective. It is however,
in my opinion, made objective by the people who are in charge of what is considered to be art and what is not - the curators and the art critics. If I want to see what is considered as important works of art today, I have to visit a gallery. I wouldn't know about installation otherwise. If I don't consider myself a person who understands art, I would swallow it raw because
they should know. After all, they probably studied it and have worked with art all their lifes and who am I to say any different. My point is that there are authorities on this as on everything else and like it or not, they
are the ones who decide. I can say that it is not art, but the mere fact that it
is in a gallery, chosen to be there by the people who are meant to know best what art is, inherently
makes it art. And the person who made it is considered to be an artist. Would a curator say that he is not, after being established as one? Herein lies my meaning of consensus, without ever having the intention of being arrogant about it.