I saw Type O Negative last night with Hatebreed and I noticed right out in the open, Kenny had his rig:
He had the Rectifier on top most likely as a backup, as it wasn't turned on the entire show. In the rack he had:
TC Electronic G Force
Mesa Triaxis
Mesa 2:90
Here were his settings:
Gain - Treb - Mid - Bass - LD1 - LD2 - Mas - Pres - DynVc - Mode
--2 -- 4.5 -- 7.5 -- 6.5 -- 0.0 -- 0.0 -- 5.0 -- 4.5 -- 7.0 -- RhyGreen
--8 -- 6.5 -- 4.0 -- 4.5 -- 0.0 -- 7.0 -- 5.5 -- 3.5 -- 5.5 -- LD2 Red
--8 -- 4.5 -- 4.5 -- 5.0 -- 0.0 -- 6.5 -- 5.5 -- 4.5 -- 5.5 -- LD2 Red
--8 -- 6.5 -- 4.5 -- 4.0 -- 0.0 -- 7.0 -- 6.0 -- 3.5 -- 6.0 -- LD2 Red
He only used 4 channels. The clean, first channel was on patch 63. His main rhythm he used most of the time was on patch 60...the second one down. The other two, I didn't get to pay much attention to. I think the last setting was more of a lead boost. He had "Modern" and "Deep" engaged on the 2:90 for all settings. He was engaging effects separately, as they weren't on all the time...mostly lots of delay & verb.
I will say that his sound is mostly a product of his style and his instrument, as he uses a sustainer system heavily. He has lately been playing a custom lime green Schecter C-1 Neck-thru Baritone with black binding...not sure what his bridge pickup is, though I'm pretty sure it is passive.
He had the Rectifier on top most likely as a backup, as it wasn't turned on the entire show. In the rack he had:
TC Electronic G Force
Mesa Triaxis
Mesa 2:90
Here were his settings:
Gain - Treb - Mid - Bass - LD1 - LD2 - Mas - Pres - DynVc - Mode
--2 -- 4.5 -- 7.5 -- 6.5 -- 0.0 -- 0.0 -- 5.0 -- 4.5 -- 7.0 -- RhyGreen
--8 -- 6.5 -- 4.0 -- 4.5 -- 0.0 -- 7.0 -- 5.5 -- 3.5 -- 5.5 -- LD2 Red
--8 -- 4.5 -- 4.5 -- 5.0 -- 0.0 -- 6.5 -- 5.5 -- 4.5 -- 5.5 -- LD2 Red
--8 -- 6.5 -- 4.5 -- 4.0 -- 0.0 -- 7.0 -- 6.0 -- 3.5 -- 6.0 -- LD2 Red
He only used 4 channels. The clean, first channel was on patch 63. His main rhythm he used most of the time was on patch 60...the second one down. The other two, I didn't get to pay much attention to. I think the last setting was more of a lead boost. He had "Modern" and "Deep" engaged on the 2:90 for all settings. He was engaging effects separately, as they weren't on all the time...mostly lots of delay & verb.
I will say that his sound is mostly a product of his style and his instrument, as he uses a sustainer system heavily. He has lately been playing a custom lime green Schecter C-1 Neck-thru Baritone with black binding...not sure what his bridge pickup is, though I'm pretty sure it is passive.