rite guys, couldnt decide where to post this for you all, as it falls under gear, tone and production, however...
currently using Metaltastic's DI tracks of his ibanez loaded with 81 and 85 pups in the bridge for comparison, ive done a little, well extensive reamping of both the 81/85 comparisons, and the Krank in different active FX loop modes and amp levels!!!
all the tracks are reamped with the Reamp V2, im using the mic technique of an SM57 aimed at the dustcap/cone of a Marshall 1960A wth V30s join and all into my Motu 8pre
heres a couple of fotos of the amp/pedal settings that never changed during the test (apart from master vol which ill talk about):
used as much as i could to totally deaden the room effect, and its worked very well!
right now some bumf on how i did each take
theres 6 sound files. 3 are the 81, and 3 are the 85.
RMP 1 files are all vol 12:00, active FX 12:00
RMP 2 files are all vol 3:00, active FX 12:00
RMP 3 files are all vol 2:00, active FX 3:00 (LOUD)
when recording them and looking at the wave forms, you can see how each naturally compresses (tube saturation/comp) into more of a steady wave form. below are the l channel of the 81 reamp, 1, 2 and 3 and you can see the natural compression on each of the lower end umphs:
very minimal post processing going on. The usual HP LF filters, and excuse the clipping from the gclip here and there, my fault, but im sure you can get the idea
heres the clips:
EMG 81s REAMP 1
EMG 81s REAMP 2
EMG 81s REAMP 3
EMG 85s REAMP 1
EMG 85s REAMP 2
EMG 85s REAMP 3
Hope yall like em, may not be the best, but a nice reference point
oh and incase anyones being picky and anal, the duvet is polyester
all files RAR'd:
http://dl.getdropbox.com/u/369408/KRANK TEST/EMG 81 85 KRANK COMP.rar
currently using Metaltastic's DI tracks of his ibanez loaded with 81 and 85 pups in the bridge for comparison, ive done a little, well extensive reamping of both the 81/85 comparisons, and the Krank in different active FX loop modes and amp levels!!!
all the tracks are reamped with the Reamp V2, im using the mic technique of an SM57 aimed at the dustcap/cone of a Marshall 1960A wth V30s join and all into my Motu 8pre
heres a couple of fotos of the amp/pedal settings that never changed during the test (apart from master vol which ill talk about):
used as much as i could to totally deaden the room effect, and its worked very well!
right now some bumf on how i did each take
theres 6 sound files. 3 are the 81, and 3 are the 85.
RMP 1 files are all vol 12:00, active FX 12:00
RMP 2 files are all vol 3:00, active FX 12:00
RMP 3 files are all vol 2:00, active FX 3:00 (LOUD)
when recording them and looking at the wave forms, you can see how each naturally compresses (tube saturation/comp) into more of a steady wave form. below are the l channel of the 81 reamp, 1, 2 and 3 and you can see the natural compression on each of the lower end umphs:
very minimal post processing going on. The usual HP LF filters, and excuse the clipping from the gclip here and there, my fault, but im sure you can get the idea
heres the clips:
EMG 81s REAMP 1
EMG 81s REAMP 2
EMG 81s REAMP 3
EMG 85s REAMP 1
EMG 85s REAMP 2
EMG 85s REAMP 3
Hope yall like em, may not be the best, but a nice reference point
oh and incase anyones being picky and anal, the duvet is polyester
all files RAR'd:
http://dl.getdropbox.com/u/369408/KRANK TEST/EMG 81 85 KRANK COMP.rar