BLUElightCory
Member
Here is a concept, how about just tuning the Low F up an octave and tune the rest of the bass normally (along the lines of banjo tuning), so it will be something like FBEAD. That way you keep all the low end up until B and everything lower gets a nice octave up treatment. The higher F could serve as a way that the bassist can exactly double what the guitars are playing without needing to transpose (and in some cases depending on the riff, can lead to physically impossible fingerings).
I like this idea a lot. It solves pretty much every problem one might have with the dropped-F tuning.