Oh god,
these DI's

In b4 anyone mentions the "squelchiness" of the palm mutes, that was a picking technique error on my part that has since been remedied!
Anyway, I'm at my singer's house listening on his BX5a's that I don't know too well, Mikael, so my opinions may change (and of course it's hard to gauge without a mix context), but for now I'm liking A the best; B and C sound pretty similar here, both with the fizz peak shifted up to a more annoying spot than in A IMO, and D just sounds kinda "furry" and unpleasant. So yeah, actually come to think of it, I'd say A>B>C>D IMO!