Mastering in Chicago?

schust

Member
Oct 24, 2007
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reading another thread here about prepping for mastering got me thinking about this question. i've done one other CD at "The Boiler Room" - but wasn't completely impressed. perhaps due to my inexperience sitting in the client seat. i'll be much more vocal on this next one.

anyway - anybody have some good experiences/recommendation for a place in Chicago that does METAL well?
 
Thanks, I might take you up on that. The project is a ways off from being completed, though.

I have worked with John before, briefly. He's got the right background and know how - but I really felt like an "afterthought" most the time. He was very poor in returning my emails/calls, so I finally said screw it and went somewhere else.
 
Thanks, I might take you up on that. The project is a ways off from being completed, though.

I have worked with John before, briefly. He's got the right background and know how - but I really felt like an "afterthought" most the time. He was very poor in returning my emails/calls, so I finally said screw it and went somewhere else.

That sucks that you've had that experience with him. He has been really good to me. You have to see his new room...I stopped by there about a year ago and it is really awesome!
 
If I was doing a jazz record, I'd send it to the guy who masters jazz; the classical guy masters the classical stuff, and so on.

John Scrip seems like a jack of all trades, and I'd just rather deal with someone who has worked with other artists with visions that are somewhat similar to mine. And if someone isn't totally enthusiastic to work with you, then you should find someone else.
 
That sucks that you've had that experience with him. He has been really good to me. You have to see his new room...I stopped by there about a year ago and it is really awesome!

yea, i honestly don't know what happened. i really had high hopes. i was truly sorry it didn't work out. he seems to know what he's talking about. i did give it several tries. maybe he just thought my tunes sucked....:waah: and, it did seem he was the closest fit to someone who really understood metal/hard rock. he was in a band some years ago. can't remember the name.

anyway - regarding whether or not to find someone to master your music that has a healthy background and appreciation for your genre is, I think, extremely important. i found that out firsthand on my last mastering. the guy was really nice but didn't have a big metal background (if any). lesson learned. at the end of the day - you want someone who understands the intensity of metal and is going to pull every fucking knob he/she can to make your music come screaming out of those speakers and grab you at the throat. you know? i know with my background if i was a mastering engineer - i'd probably be able to do a better job at mastering someone's metal project than say someone who's into indie music or jazz. maybe, who knows. i guess i just "get" it. hard to explain. comes with listening to most every metal CD made since the early 80's and playing in bands since i was 14. and let us not forget that when you're plunking down some serious cash, you wanna make sure that person in front of the board is on the same page as you musicially. plus, of course the obvious - it's your music!!
 
yea, i honestly don't know what happened. i really had high hopes. i was truly sorry it didn't work out. he seems to know what he's talking about. i did give it several tries. maybe he just thought my tunes sucked....:waah: and, it did seem he was the closest fit to someone who really understood metal/hard rock. he was in a band some years ago. can't remember the name.

anyway - regarding whether or not to find someone to master your music that has a healthy background and appreciation for your genre is, I think, extremely important. i found that out firsthand on my last mastering. the guy was really nice but didn't have a big metal background (if any). lesson learned. at the end of the day - you want someone who understands the intensity of metal and is going to pull every fucking knob he/she can to make your music come screaming out of those speakers and grab you at the throat. you know? i know with my background if i was a mastering engineer - i'd probably be able to do a better job at mastering someone's metal project than say someone who's into indie music or jazz. maybe, who knows. i guess i just "get" it. hard to explain. comes with listening to most every metal CD made since the early 80's and playing in bands since i was 14. and let us not forget that when you're plunking down some serious cash, you wanna make sure that person in front of the board is on the same page as you musicially. plus, of course the obvious - it's your music!!


John was in Stonehenge I believe. I remember him saying they played some shows or toured with Pantera back in the day.

Anyway...I agree that you need to find someone with an appreciation for that genre or it's a lost cause.

Other than John, I know that Doug McBride from Gravity has been mastering lately, and he is a super nice guy. Gravity is known mainly for indie rock stuff, but Doug really knows what he is doing.

There aren't many studio owners or engineers in Chicago that I've had bad experiences with except one or two, but that is for a different topic. There are quite a few mastering facilities including Colossal, but nobody that I know of that strictly does metal.

I hope you find someone...best of luck to you. :rock:
 
thanks art - i appreciate that info. yea, Stonehedge... ;) that's it! all us old rockers seem to live in the past.. the "hey day".. the "spandex day"... :kickass:

it seems i do remember hearing about Doug McBride. and i did check out Colossal a few years ago, but $$$$$. unfortuantely, mooola is a constraining factor in all this as well.
 
thanks art - i appreciate that info. yea, Stonehedge... ;) that's it! all us old rockers seem to live in the past.. the "hey day".. the "spandex day"... :kickass:

it seems i do remember hearing about Doug McBride. and i did check out Colossal a few years ago, but $$$$$. unfortuantely, mooola is a constraining factor in all this as well.

Money always seems to get tighter and tighter toward the end of a project, audio or not.

Post some samples of your music when you get a chance. I've been out of the loop in the Chicago metal scene for a few years now and want to get back into it.

I started getting out of the scene around the time Scott Davidson moved Rebel Radio from FM to AM. I've been in hibernation ever since plugging away at other peoples music and not really paying attention to the local scene.

If you have any recommendations of local bands to check out...I'm all ears.