I have noticed that a good hardware preamp + compressor helps a lot when recording. I have the SPL Track One that is a "lazy mans" channel strip tailored for vocals (one knob de-esser and compressor ftw). I usually have highpass on, then de-esser at max, then the compressor set pretty hard and then I compensate the de-essed signal high end with the highshelf boost especially if using SM7b, but otherwise I have the EQ relatively flat, I may cut around low mids tho. Then ITB I usually have like delay and reverb and maybe some compression, but that's pretty much it. Remember; get sound at the source.