music masterminds

theres no city on the moon
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no one mentioned the boys of Seigmen.....the band had such a great chemistry i think.
 
jah shaka, king tubby, lots of bill laswell stuff, black uhuru, dub specialist, dub syndicate, jah warrior, joe gibbs, lee scratch, nicky skopelitis, mickey dread, prince far i, roots radics, scientist, the rootsman, trojan dub box set, twilight circus, twinkle bros etc etc
 
siderea said:
did you hear that three ages soundtrack he did for the buster keaton film :err:

ah shite, dont tell me you have that? i do have the first series of remixes off it on vinyl though. i want the actual dvd box with the soundtrack on cd, may get it from france by mail, theyre useless here. the dvd has loads of shhtuff on it! you like?
 
friend of mine writes reviews for a mag in my room, apparantly he was playing this promo when i asked him what dead annoying music he was listening to now. he said: i know.
he thought it being silly making beats with this slapstick situated in da flinstone times, i disagree there though, the video piece on the promo made the music fit. and well listening to the thing a second time is quite okay, i couldnt read a book with it, but its effective during computering with headphones.
verdict, not too special, very basic. i would like to see the dvd as a whole though, yes.
 
you're a disgrace

Jeff Mills: “I tried to prove certain things in that particular soundtrack. As a DJ I can approach producing music for films in multiple ways, the same ways I can program records for an audience, which is probably slightly different from someone who only does one or the other. I look at it from many different perspectives. For “The Three Ages” I chose to use a very indirect way, not only composing the music for the interactions between the characters specifically, accenting certain kind of moves or things like that, but I also decided to create a backdrop for what was happening on the screen. The result is not a humorous soundtrack as such, but it’s allowed humour to happen on screen. I did that because I wanted to show how diverse electronic music can be and that it’s not always predictable as composing music for movies can be. Even in that type of context, with all the humour and the geniality of Buster Keaton, electronic music can be reserved and allowing at the same time.”