Holy shit! Saw them here two days ago (my second DT concert). I was wrong when I said nothing would ever top Symphony X in October- This show might very well have done just that, although they were both superb.
They played all of Train of Thought, and just about all the classics (Under a Glass Moon, Metropolis, Beyond This Life, Finally Free, Through Her Eyes, and a bunch of other songs). Also, to the people who don't like Train of Thought: It fucking ROCKS live!
First of all, LaBrie absolutely stole the show. After seeing Russel Allen, I thought I'd never appreciate another singer again, but LaBrie blew me away. He's had voice problems before (the food poisoning incident and subsequent vocal chord surgery after Awake can be blamed for this, as well as weight problems), and his live performances have never been up to par with his recordings, but all that is now gone. He's been practcicing a lot, as well as dieting and working out, and this has resulted in an ALMOST regained range (he avoids the EXTREME high notes of the past, considering his once injured vocal chords, but I think it sounds better like this anyway) and an AMAZING power and confidence live. Russel is still the man in many ways, but there's just something about LaBrie's soaring high register that's just magical, especially now that he can actually pull it off live. I've always loved the way he sounds on recordings (I&W especially), and in concert, Metropolis and Under a Glass Moon were simply orgasmic. Also, I believe the vocal production on Train of Thought doesn't do his newly regained voice justice. Too distorted, and way too dry.
Secondly, Petrucci is officially a monster. His days of having to stumble through some of his most difficult solos live are gone. He's practiced so much for this last tour and album, that he's now easily on par technically with super shredders like Michael Angelo. His right hand is simply inhuman now (especially considering the solos on Train of Thought). At the concert, he nailed every note, while looking absolutely bored. He even looked over his shoulder to check on Jordan during the insane unison at the end of This Dying Soul (constant 16th notes at 202 bpm for about 50 seconds). If you think Romeo is scary, catch Petrucci on this tour.
Bottom line, they should've made a live DVD of this tour instead of SFAM. Their performance back then pales in comparison to now.