- Jul 5, 2008
- 7,595
- 1
- 0
- 34
figured id post this here just incase anyones interested in it.
New Foetus In A Jar track, recorded yesterday. Guitar was Marshall AVT 150 and Fender Frontman something or other both with some crappy M-Audio condenser on each. It was so loud that even with the gain turned right down there was still some clipping. D:
Bass was Kian's behringer practice amp and a solid state ampeg combo. D112 on one and SM57 on the other. Can't remember which was on which though.
Barely any processing on bass or guitar. just minor eq
Drums were SM58's for overheads. SM57 on snare and a samson mic from a drum mic pack for kick. Kick sounded like aaaaaaass, but no sample replacement in this project, it's got character though.
Mix was pretty minmalistic. EQ and compression on snare and kick. fairly typical settings. 200hz boost, high pass, bit of a mid cut and a boost at 5khz for crack. 1ms attack 3ms release for comp, 4:1 ratio. blah blah. some verb n shit. OH's aren't even high-passed. Mix just sounds better without it.
Multiband comp and a bit of eq on the master and a bit of compression, that's pretty much it.
Enjoy
http://dl.dropbox.com/u/631208/fiaj 17 12 09.mp3
New Foetus In A Jar track, recorded yesterday. Guitar was Marshall AVT 150 and Fender Frontman something or other both with some crappy M-Audio condenser on each. It was so loud that even with the gain turned right down there was still some clipping. D:
Bass was Kian's behringer practice amp and a solid state ampeg combo. D112 on one and SM57 on the other. Can't remember which was on which though.
Barely any processing on bass or guitar. just minor eq
Drums were SM58's for overheads. SM57 on snare and a samson mic from a drum mic pack for kick. Kick sounded like aaaaaaass, but no sample replacement in this project, it's got character though.
Mix was pretty minmalistic. EQ and compression on snare and kick. fairly typical settings. 200hz boost, high pass, bit of a mid cut and a boost at 5khz for crack. 1ms attack 3ms release for comp, 4:1 ratio. blah blah. some verb n shit. OH's aren't even high-passed. Mix just sounds better without it.
Multiband comp and a bit of eq on the master and a bit of compression, that's pretty much it.
Enjoy

http://dl.dropbox.com/u/631208/fiaj 17 12 09.mp3