hello there,
geeh, I really got addictive to this forum. After reading throughout the forum, I had some really nice reflections about guitar recording. Now I'm still asking myself few questions about drum recording.
When you don't own for 1000 bucks worth of drum microphones and a super duper sounding drum room + good experience and knowledge about acoustic drum recording, triggering and drum replacing seems to be the way to go when you're heading for a big heavy/metal sound.
So I got samples for my toms, snare and kick. BUT WHAT ABOUT THOSE OVERHEADS/CYMBALS MICS.
Imagine that the sound of a tom is recorded by the trigger and also the overheads. It will sound like 2 different toms are hit at the same time. 'cause the 2 sounds are not exactly the same.
Could that sound any good ?
Are 2 basic overheads enough ?
Is sampling our drumkit (rather using other samples) would help to bring unity to the sound ?
Are there any way of placing the overheads in the air so its getting more cymbals and just a little bit of the drumkit ?
I guess these are the reasons why brilliant producers while Sneap are tracking every single cymbal separetly with a unique microphone.
If anybody have anything that could help, I would really appreciate.
geeh, I really got addictive to this forum. After reading throughout the forum, I had some really nice reflections about guitar recording. Now I'm still asking myself few questions about drum recording.
When you don't own for 1000 bucks worth of drum microphones and a super duper sounding drum room + good experience and knowledge about acoustic drum recording, triggering and drum replacing seems to be the way to go when you're heading for a big heavy/metal sound.
So I got samples for my toms, snare and kick. BUT WHAT ABOUT THOSE OVERHEADS/CYMBALS MICS.
Imagine that the sound of a tom is recorded by the trigger and also the overheads. It will sound like 2 different toms are hit at the same time. 'cause the 2 sounds are not exactly the same.
Could that sound any good ?
Are 2 basic overheads enough ?
Is sampling our drumkit (rather using other samples) would help to bring unity to the sound ?
Are there any way of placing the overheads in the air so its getting more cymbals and just a little bit of the drumkit ?
I guess these are the reasons why brilliant producers while Sneap are tracking every single cymbal separetly with a unique microphone.
If anybody have anything that could help, I would really appreciate.