I could have sworn there was a way to search this messageboard..
Anyways, I am currently using two Audix ADX-50's for overheads..and it sounds great...but, I have them...hmm...maybe 18 in. or so above each set of cymbols (one on the left side, and one on the right.) They are both pointing straight down over most of the cymbols.
And the problem is.....I am getting WAY TOO MUCH HI HAT in the overheads...and because of that, it almost sounds like the hi-hat is coming out of the center of the stereo space instead of off to one side.
any suggestions? were the mics maybe too far? Although, I figured the closer they are, the longer it would take for them to dissipate ..and I'm looking more for that splash sort of cymbol sound instead of them being there for too long.
I was thinking of using one of those auralex mic pads (they do work really well on the snare and toms..) for each mic..but eh..I dunno...
any suggestions...and if somebody could tell me where the search button is for this messageboard, I'd definitely appreciate it!
Anyways, I am currently using two Audix ADX-50's for overheads..and it sounds great...but, I have them...hmm...maybe 18 in. or so above each set of cymbols (one on the left side, and one on the right.) They are both pointing straight down over most of the cymbols.
And the problem is.....I am getting WAY TOO MUCH HI HAT in the overheads...and because of that, it almost sounds like the hi-hat is coming out of the center of the stereo space instead of off to one side.
any suggestions? were the mics maybe too far? Although, I figured the closer they are, the longer it would take for them to dissipate ..and I'm looking more for that splash sort of cymbol sound instead of them being there for too long.
I was thinking of using one of those auralex mic pads (they do work really well on the snare and toms..) for each mic..but eh..I dunno...
any suggestions...and if somebody could tell me where the search button is for this messageboard, I'd definitely appreciate it!