RiF
Member
Talking about drum track clipping: Does anybody know of a 0-latency RTAS-compatible clipper? I don't have ADC, you know...
Ime/o digidesign converters aren't known for there euphoric clipping capabilities.have you tried clipping the 192 with your stems/groups?
On a mix. I agree. No need.no clipper on the 2-bus, sounds nasty
Talking about drum track clipping: Does anybody know of a 0-latency RTAS-compatible clipper? I don't have ADC, you know...
I own it, but it has some latency. Not very much, though but enough to cause phasing issues and other crap Cubase users do not need to care about ;-)
Forgive my basic question... but surely if you need to clip after compression, then your compression is set wrong???
no clipper on the 2-bus, sounds nasty
good for use on single instruments or stems tho. some of my drum mixes wouldn't have been possible without clipping the shit out of them
Clipping and compression do two different things.
Compressors attenuate gain, so those peaks actually still exist, except they're being pulled down as part of the gain reduction circuit. This alters the waveform in ways dependent on the compressor and its settings.
Clipping literally CHOPS the top off the peaks. Totally flatlines them. This causes a 'glitch' to happen upon a DAC recreating that waveform. The reason being that a square wave cannot exist in the analogue realm, and chopping off the peak, that's essentially what you've created (sort of). What happens now is that the DAC will overshoot and attempt to recreate that peak on playback.
The end result ultimately is more, transparent gain reduction, provided it's used intelligently. It has the added benefit of retaining transient punch, which is something limiters can annihilate.
By doing as Joey suggested and clipping your individual tracks conservatively, you're ultimately making the mastering process an easy one as you tailor all the tracks to retain punch, with minimal master bus processing.
The fastest compressors can rarely catch peaks like a clipper and you certainly wouldn't get those peaks using typical MB settings. Yes, they are both controlling level but one is chopping peaks of a few samples and the other is performing exponentially slower graduated level control. If Ermz failed to explain why you're wrong then I hope this clears it up.I know what clipping does, and I know what compression does. My point was, if you need to have a clipper after your compressor, then I'd say your compression was set wrong.
You don't explain why I'm wrong, you just try and school me in compression and clipping, which isn't really what my point was about.
The only reason I could think you'd want to clip after compression, is to use the compressor to pump everything, and use the clipper to cut the peaks. But all you're doing there is making it sound shit - imo.
I know what clipping does, and I know what compression does. My point was, if you need to have a clipper after your compressor, then I'd say your compression was set wrong.
You don't explain why I'm wrong, you just try and school me in compression and clipping, which isn't really what my point was about.
The only reason I could think you'd want to clip after compression, is to use the compressor to pump everything, and use the clipper to cut the peaks. But all you're doing there is making it sound shit - imo.
What does clipping twice in a row do that once wouldn't?
I know what clipping does, and I know what compression does. My point was, if you need to have a clipper after your compressor, then I'd say your compression was set wrong.
You don't explain why I'm wrong, you just try and school me in compression and clipping, which isn't really what my point was about.
The only reason I could think you'd want to clip after compression, is to use the compressor to pump everything, and use the clipper to cut the peaks. But all you're doing there is making it sound shit - imo.
You're missing the point. If you can't get your answer from what I wrote above, then there's nothing else I can say.
I only use a clipper on the snare drum. I have moved on to a saturator on the mix buss and the results sound a lot better to me.
hi matt, are you using the soft clip function on the cubase dynamics plugin on the 2 buss??