Morbid Angel has always used polyrhythms. It is just usually a triple meter played against a duple meter, as Moonlapse showed. 5/4 is definitely the most popular one employed by composers. To make it easier, instead of thinking 5/4, think 3+2/4 which is a 3/4 and 2/4 meter playing simultaneously. A few famous examples could be Tchaikovsky's second movement of his 6th Symphony(the "limping waltz"), Holst's "Mars, Bringer of War" from his "Planets," or the popular jazz tune, Take 5. To try to hear a polyrhythm yourself in 3/2, have one hand clap a triplet on one leg, and the other hand clap a quarter note. Cool stuff.