Hey guys!
Already discussed lightly in an another thread, this topic has been in my mind for a while actually. I didn't want to open this thread in Merch Stand as I am not offering such services - at least not yet hehe Anyways, premix-slave / assistant engineer:
Would anyone happen to stress about the fact that some of the mixes you receive aren't in their ideal shape?
In almost 80% of the stuff I have received for mixing:
1. No bleed has been cut from the vocal tracks, not even the clipping parts where the singer is yelling the engineer to "TURN IT DOWN!!!"
2. All sorts of rumbling and noise on stringed instruments - especially on parts where they really kill the mood (imagine an intricate interlude or breakdown with lots of muting that is supposed to be 110% tight with tons of fret noise and buzz )
3. Shitty drum editing as in bad crossfades, glitches and all sorts of mindless fuckery (drummers could learn to play as well? Don't record if you can't keep a beat lol)
4. Vocal tuning and timing...
Sadly, that is not all.
Nothing is as big of a mood-killer than having to pull up tracks that are muddy, have ugly resonances due to mic placement or room etc, have tons of fizz - why is it so rare to get miced-up guitar tracks anyways? In most cases guitars are just shitty DI's with six months old strings.
Don't get me started on tom tracks and other drum tracks where the hits are lost in all the leakage and bleed, wouldn't it be nice to receive cut up tracks in this situation without having to spend hours on fiddling the gates/expanders and such only to start cutting them yourself later? Yes it would.
Not the end of it either, but I'm sure you get the point. There are some milder stuff like proper phase, easy fix but would be nice to have that been taken care of as well. Of course a lot of those things should be taken care of in the recording process (that's a given) but a lot of time it isn't.
In 2014, I've mixed only a handful of tracks and an EP that had usable tracks with little to no cleanup needed. Sad thing is the EP was tracked by myself and one of the other tracks was received from an inspiring new engineer, who wanted to make sure that the tracks you receive from him are just up to par to the tracks you'd receive from the big guys. So the tracks aren't always crap but yet again, most of the time they are.
I'm thinking of starting to offer such services but I wanted to see if anyone has encountered such projects. If there's a need for a premix-slave, I'll gladly open up a Service-thread @ Merch Stand.
KEEP THOSE TRACKS CLEAN, GUYS!
Cheers,
- Aleksi/rapucore
Already discussed lightly in an another thread, this topic has been in my mind for a while actually. I didn't want to open this thread in Merch Stand as I am not offering such services - at least not yet hehe Anyways, premix-slave / assistant engineer:
Would anyone happen to stress about the fact that some of the mixes you receive aren't in their ideal shape?
In almost 80% of the stuff I have received for mixing:
1. No bleed has been cut from the vocal tracks, not even the clipping parts where the singer is yelling the engineer to "TURN IT DOWN!!!"
2. All sorts of rumbling and noise on stringed instruments - especially on parts where they really kill the mood (imagine an intricate interlude or breakdown with lots of muting that is supposed to be 110% tight with tons of fret noise and buzz )
3. Shitty drum editing as in bad crossfades, glitches and all sorts of mindless fuckery (drummers could learn to play as well? Don't record if you can't keep a beat lol)
4. Vocal tuning and timing...
Sadly, that is not all.
Nothing is as big of a mood-killer than having to pull up tracks that are muddy, have ugly resonances due to mic placement or room etc, have tons of fizz - why is it so rare to get miced-up guitar tracks anyways? In most cases guitars are just shitty DI's with six months old strings.
Don't get me started on tom tracks and other drum tracks where the hits are lost in all the leakage and bleed, wouldn't it be nice to receive cut up tracks in this situation without having to spend hours on fiddling the gates/expanders and such only to start cutting them yourself later? Yes it would.
Not the end of it either, but I'm sure you get the point. There are some milder stuff like proper phase, easy fix but would be nice to have that been taken care of as well. Of course a lot of those things should be taken care of in the recording process (that's a given) but a lot of time it isn't.
In 2014, I've mixed only a handful of tracks and an EP that had usable tracks with little to no cleanup needed. Sad thing is the EP was tracked by myself and one of the other tracks was received from an inspiring new engineer, who wanted to make sure that the tracks you receive from him are just up to par to the tracks you'd receive from the big guys. So the tracks aren't always crap but yet again, most of the time they are.
I'm thinking of starting to offer such services but I wanted to see if anyone has encountered such projects. If there's a need for a premix-slave, I'll gladly open up a Service-thread @ Merch Stand.
KEEP THOSE TRACKS CLEAN, GUYS!
Cheers,
- Aleksi/rapucore