+1 on this one
What I find annoying/confusing sometimes is when a band has 2 guitarists, both playing very different rhythm parts, so the only option I have to make it sound remotely good is to quad track, otherwise one guitar will sound weak
Jamie King has this doubling effect that he uses with protools so he only needs guitars to be tracked once. Might be something to look into since I suck at tracking 4 times
yeah. I stopped quad tracking a while ago.
the only exception for me is if there are rhythms that are added as harmonies & breakdowns. then I just change the levels of everything as the 3rd & 4th guitars come in & out.
My best guitar sounds were tracked with rythm left and right and leads in the middle.
I also gave up on quad-tracking its fucking OVERRATED.
I also have the feeling that you have to eq the guitars strange so the 4 takes work together and sound together right. But when you want only one take to play it sounds like ass...
n00b warning:
Here's where I get confused, is it quad-tracking if you record two tracks of each guitar for ,say a verse riff, where one is playing the main part, and the other playing the harmonies?
Would it be better, even with tight playing, to only do one take of each and only record two of each during choruses and heavy sections as mentioned before?