Harvester
The Promoter
. That said, I'll let the final product speak for itself.
Zod does not tolerate mediocre releases.
. That said, I'll let the final product speak for itself.
Definitely agreed.Even if they kept the name Rising West they would be scrutinized just the same because of who the members are. I don't buy that argument at all.
Savatage lost Criss Oliva, and Jon Oliva and still managed to forge ahead until O'Neil unleashed TSO. How many hated those post Oliva albums? (Yes I know Jon contributed to *some* of the songwriting later on)
Band members come and go it's part of the business.
Maybe because they want to keep feeding their families? All those guys are pushing 50, I bet the idea of starting a new band and having it become their main source of income is extremely daunting, maybe not even realistic for them at this stage in their life. I realize all the 'Ryche guys have other sources of income they work on, but I'm willing to bet that playing in Queensryche is what really brings in the bread. Besides, there's still three original members left.financially capitalize on the Queensryche brand. A brand built almost completely by two guys no longer in the band.
The preview was OK for what it was. I'm still cautiously optimistic.
What is up with that skull logo, lookls like they lifted it off of a shirt in Wal-Mart- Justin I know you were thinking the same thing. Well Affliction is cool gear for middle-aged men I guess.
Wow, ashaman7122!
Do you mean to tell me that Billy Idol wasn't a popular artist at the time that Judas Priest released Turbo? When was the last time that a Gold debut album and a 2X Platinum sophomore release was considered a failure? Billy Idol was a household name in 1986, which was the year that Judas Priest released Turbo. Oddly enough, the album's sound bore quite a resemblance to what you would have heard on Billy Idol's Rebel Yell album.
Secondly, are you kidding me when it comes to Megadeth? They were well on their way to stardom by the early 90s. The trio of So Far, So Good...So What!, Rust In Peace, and Countdown To Extinction are considered the albums of their heyday. Guess what came out smack dab in the middle of that era, bearing a strong resemblance to that same guitar-driven thrash style? Painkiller!
Moving on to Demolition, if you read my post again, you'll notice that I didn't say that the album was an improvement following Jugulator. I simply stated that it was their attempt to make peace with the old school fans who hated Jugulator. I think Demolition was their weakest album ever. In fact, I was hoping they would have stuck with the style they had on Jugulator.
Also, if Nostradamus isn't a European power metal influenced album, then Helloween, Gamma Ray, Stratovarius, and Blind Guardian don't play European power metal. I'm pretty sure that Halford, Tipton, and Downing didn't just think up the idea to play with such huge orchestrations and choirs all by themselves!
Finally, I won't argue too much about Ram It Down. I just think it's a uniquely "Priest" album. I hope this all makes as much sense to you as it does to me.
Stay metal. Never rust.
Albert