Is it blasphemy? j/k
I was talking to an acquaintence (who some of you probably know) recently about recording guitars and he said as opposed to using 4 separate rhythm takes, he records only 2 takes but uses 2 mics on each take; both are sm57s.
He points one mic in "sneap position", straight on, maybe a bit off center. The second one is basically the same location however it's angled upward toward the rim of the speaker. He said if you do this well it sounds better than 4 separate takes.
I'm curious if any of you actually prefer this method.
I tried it out last night and, despite some phasing difficulties, it came out pretty cool.
I ended up combining both styles for the hell of it--a total of 8 guitar tracks. The fizz is a bit thicker, but it's a good fizz if you feel me. If I was recording only two rhythm takes, I would most definitely use this approach. ![Headbang :headbang: :headbang:](/data/assets/smilies/headbang.gif)
I was talking to an acquaintence (who some of you probably know) recently about recording guitars and he said as opposed to using 4 separate rhythm takes, he records only 2 takes but uses 2 mics on each take; both are sm57s.
He points one mic in "sneap position", straight on, maybe a bit off center. The second one is basically the same location however it's angled upward toward the rim of the speaker. He said if you do this well it sounds better than 4 separate takes.
I'm curious if any of you actually prefer this method.
I tried it out last night and, despite some phasing difficulties, it came out pretty cool.
![Headbang :headbang: :headbang:](/data/assets/smilies/headbang.gif)