agentmetal
Member
Very interesting discussion !
I agree with this ! But "picking out the bass" is not only a matter of mid-lows, but also of upper-mids (say 800 Hz to 2.5k, YMMV). I've found that boosting the bass guitar in this area is often an efficient way to give it clarity and let it cut through the mix, while retaining the tightness of the band's sound and without eating up other instruments (unless overdone, of course !).
When I listen closely to Sneap's mixes, it seems that the bass is indeed present (and sometimes even quite loud) in the mid-low region, but not much in the upper-midrange. I might be wrong, of course
its that classic saying "you cant even hear the bass" thats why bass players (at least used to be) like the least important player in the band.
i LOVE, sneaps mixes. but i do think he could get a more defined bass tone, not LOUDER where it takes over the mix but a tone that you can pick out easily not have to REALLY listen for the bass to hear it.
I agree with this ! But "picking out the bass" is not only a matter of mid-lows, but also of upper-mids (say 800 Hz to 2.5k, YMMV). I've found that boosting the bass guitar in this area is often an efficient way to give it clarity and let it cut through the mix, while retaining the tightness of the band's sound and without eating up other instruments (unless overdone, of course !).
When I listen closely to Sneap's mixes, it seems that the bass is indeed present (and sometimes even quite loud) in the mid-low region, but not much in the upper-midrange. I might be wrong, of course