- Dec 17, 2008
- 893
- 0
- 16
Stream it here to your prick's content -
http://music.aol.ca/new-releases-full-cds#/3
The first track is immense, and so far the other two just sound like your run of the mill polished LoG material with Adler soloing for slightly longer periods of time... Someone definitely got hard over Skolnick licks again. I wish I would hear more blasts like the ones in 'Guilty' because the sound of that snare is just fucking tasty and one of their signature sounds in the mix since Ashes (correct me if I'm wrong). 'The Number Six' tries to be slightly Opethian in it's arrangement, randomly undulating between melody and dissonance with bass breaks and vocal fuckarounds, and it would work if it didn't contrast the band's tried and true formula so much. The short instrumental 'Barbaraosa' just reeks of Dimebag influence. Fun as hell headbanging tracks include 'Invictus' and 'Cheated'. I'm not sure whether it's Randy singing at the beginning of 'Insurrection', but that was just plain weak. Speaking of Dimebag influences, they show up twice on this album actually thanks 'To the End'! If you need one song as a compendium of timeless LoG grooves that make us all appreciate this band, I'd pick 'Visitation'. The last track was overproduced and useless mid tempo radio friendliness in retrospect and that's unfortunate, but it could have been much worse.
Solid.
Thoughts?
http://music.aol.ca/new-releases-full-cds#/3
The first track is immense, and so far the other two just sound like your run of the mill polished LoG material with Adler soloing for slightly longer periods of time... Someone definitely got hard over Skolnick licks again. I wish I would hear more blasts like the ones in 'Guilty' because the sound of that snare is just fucking tasty and one of their signature sounds in the mix since Ashes (correct me if I'm wrong). 'The Number Six' tries to be slightly Opethian in it's arrangement, randomly undulating between melody and dissonance with bass breaks and vocal fuckarounds, and it would work if it didn't contrast the band's tried and true formula so much. The short instrumental 'Barbaraosa' just reeks of Dimebag influence. Fun as hell headbanging tracks include 'Invictus' and 'Cheated'. I'm not sure whether it's Randy singing at the beginning of 'Insurrection', but that was just plain weak. Speaking of Dimebag influences, they show up twice on this album actually thanks 'To the End'! If you need one song as a compendium of timeless LoG grooves that make us all appreciate this band, I'd pick 'Visitation'. The last track was overproduced and useless mid tempo radio friendliness in retrospect and that's unfortunate, but it could have been much worse.
Solid.
Thoughts?