SM 7b Question

musickey

djenital moosic
Feb 17, 2006
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INDIANA
Just had a question for you SM 7b owners. Has anyone used it on kik? If so what was your placement and how does it sound? Or have you used it for anything else besides vocals like guitar cab?
 
It does seem to have a natural low end roll-off, even with the bass roll-off switch off:

http://www.shure.com/stellent/group...ts/web_resource/site_img_us_rc_sm7b_large.gif

This could be a problem, and moreover the frequency response seems somewhat wavy in the high end, which could be a problem in regards to getting a good recording of the kick "slap".

But then again, haven't tried it.. so I have no idea if this is of any importance (wouldn't be my first choice from that frequency response though).


/Michael Hansen

Btw.. hello to all you guys, first post - been following discussions here for some time now, learned a lot :)
 
Mindmare said:
moreover the frequency response seems somewhat wavy in the high end, which could be a problem in regards to getting a good recording of the kick "slap".
are you suggesting the SM7b has a dynamically shifting frequency response curve? how would they even do that, lol?? little motors that move different filters in and out of the capsule? ha ha.. sorry to give you a hard time, that just seems odd to me. i've used the SM7b for over a year now and never heard any such phenomenon... just a static frequency response that doeesn't change unless you engage a manual roll off, pad, or pickup pattern switch.... just like ever other mic in the world. maybe you are hitting it with a too high SPL when you notice this phenomenon, such that the diaphragm is overstressed?

edit... yes, i know the SM7b does not have a selectable pickup pattern switch
 
James Murphy said:
are you suggesting the SM7b has a dynamically shifting frequency response curve? how would they even do that, lol?? little motors that move different filters in and out of the capsule? ha ha.. sorry to give you a hard time, that just seems odd to me. i've used the SM7b for over a year now and never heard any such phenomenon... just a static frequency response that doeesn't change unless you engage a manual roll off, pad, or pickup pattern switch.... just like ever other mic in the world. maybe you are hitting it with a too high SPL when you notice this phenomenon, such that the diaphragm is overstressed?

edit... yes, i know the SM7b does not have a selectable pickup pattern switch

No, actually there's a pack of santas-little-helpers alike guys that tweaks the filters..not motors (dooh) :goggly:

Nah, I was referring to the (static) high end "look" of the frequency response curve, as you see, it is not exactly linear in the high end, not even close to. As I haven't tried using the mic for recording a kickdrum, I have no idea if this nonlinearity actually poses a problem, I guess it depends on lots of other things (the actual drum, the drummer, the sound goals etc. etc.).
 
haven't used the sm 7 on bassdrum but i will do it in the near future.
but, what sound are you looking for: klick, klick metal kick? - then the sm7 won't be that great, i guess. for rock and natural sounding drumkits it might be killer, but as i said, i haven't tried it - that is just what i read about!

cheers,
alex
 
Thanx for replies, I am currently using a D112 inside the kik close to the beaters and a Sennheiser E602 in the port hole, if i used the SM 7b in place of the Sennheiser could it damage the mic?
 
theblackmoon said:
Sorry to hijack but have anyone used SM7B on cabs?

well, i have a sm 7, not a 'b' version and i tried it on a cab and i really liked it!
but maybe for metal not strong or straight enough.i compared it to the sm57 i recorded with as well and the sm 7 was a bit friendlier or nicer, i would say - just try it!!