SM7b for guitar cabs

avrinder

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May 25, 2009
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I love this mic on vocals! I was wondering for guitar, if you remove the windscreen - would this sound too harsh?
I quickly tried tracking my friends' amp (6505, Orange 4x12 cab) - it came out sounding pretty dark (used my Profire 2626 for interface)
 
none of those links answer my original question (Do people track guitars with the windscreen on, or off) - I can't try it now, since I'm only at the jamspot on Thursday. I'm just curious/impatient till Thursday haha.
 
I love this mic on vocals! I was wondering for guitar, if you remove the windscreen - would this sound too harsh?
I quickly tried tracking my friends' amp (6505, Orange 4x12 cab) - it came out sounding pretty dark (used my Profire 2626 for interface)

I presume you've recorded that cab before? orange do have a reputation for sounding quite dark for metal
 
SM7 is rad on guitars... distorted AND clean. If you want the perfect blend between SM57 and SM7 - remove the transformer from a 57. When I'm using a transformerless 57 I find myself not needing to cut anywhere between 5k and 6k, its just really smooth but still has a great bite to it.
 
I use the sm7b every time for guitar cabs, dirty and clean.
Heaps thicker wider tone than a 57, cuts into the bass guitar freqs a little more than I'd want but it's a trade off. I like the presence boost sometimes, normally not on clean channels.
Lately I'm been using 2 mics, a sm7b on axis and halfway to the edge of the speaker and a 57 on axis on a different speaker right in the middle. Mix and match, different parts of different songs need different amounts of each mic.

Wind shield off definately, even when I sing into in wind shield off

Good luck with it mate
 
I can't imagine how loud 140 decibels actually is haha. Pretty sure that's even louder than a jet engine aeroplane