I was tuned in last night to a radio program where they interviewed a band I had recently worked with. In the breaks they played some tracks from the album and the radio compression absolutely tore the mixes a new one in every conceivable way.
Now... the master of that album was left intentionally quieter to allow for more transient punch, but it seemed to backfire because whenever there was a transient the radio compressor would duck the entire mix. So the level was constantly all over the place.
In contrast the more brickwalled mixes they played after handled it a lot better.
So my question is.... is this radio station an anomaly? Is mastering quieter for better radio tone a myth? Should I fire the mastering engineer?
Now... the master of that album was left intentionally quieter to allow for more transient punch, but it seemed to backfire because whenever there was a transient the radio compressor would duck the entire mix. So the level was constantly all over the place.
In contrast the more brickwalled mixes they played after handled it a lot better.
So my question is.... is this radio station an anomaly? Is mastering quieter for better radio tone a myth? Should I fire the mastering engineer?