check it out: www.maldororkollective.net
some news from the band:
"The Kollective is actually working on two albums, featuring different strategies, characters and storyboards. Beside the growing Pilot (Man with the Meat Machine) , 2005/2006 will hopefully see the outburst of Project Monarch , the unnatural consequence of sound development as announced in the most descriptive moments of A Clockwork Highway album. In our intentions, the working process will lead to the release of a four tracks album intended as the sonic script of a non-written story. Yes the title is a bit indicative: to some of you it may resound as the title of a book by Michael Aquino, and chances, as usual, are not intended to be so casual. The actual line up features Kundahli , Evanghelya , Drakon and a new bass player: yes, no guitars will be played on this work, and describing the sound should be a bit difficult. But this could be good: a non-linear track structures with no emphasis on genre crossover or styles featured, with a full charge of chaotic inputs conceived to induce a strong narrative/identifying process to the listener. Complete it with a flexible half acoustic-half digital sound set, variable collaborations, and add salt"
some news from the band:
"The Kollective is actually working on two albums, featuring different strategies, characters and storyboards. Beside the growing Pilot (Man with the Meat Machine) , 2005/2006 will hopefully see the outburst of Project Monarch , the unnatural consequence of sound development as announced in the most descriptive moments of A Clockwork Highway album. In our intentions, the working process will lead to the release of a four tracks album intended as the sonic script of a non-written story. Yes the title is a bit indicative: to some of you it may resound as the title of a book by Michael Aquino, and chances, as usual, are not intended to be so casual. The actual line up features Kundahli , Evanghelya , Drakon and a new bass player: yes, no guitars will be played on this work, and describing the sound should be a bit difficult. But this could be good: a non-linear track structures with no emphasis on genre crossover or styles featured, with a full charge of chaotic inputs conceived to induce a strong narrative/identifying process to the listener. Complete it with a flexible half acoustic-half digital sound set, variable collaborations, and add salt"
