Stingray11214
OSA Triumvir
- Oct 21, 2005
- 2,334
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I think the problem is that these acts are tired of being "pioneers" of an untamed land. The reason why the Power Metal scene is in deep decline is because we never really had an "American" scene to begin with. It was like the old North American Soccer League back in the day: A bunch of foreigners, with few, if any, Americans that the casual US fan can call their own. Quick, name me five US-based power metal acts that have the capability to introduce acts on a mass basis. Those that could have saw their heyday in the 80's, and those that still exist are there for nostalgia purposes only. Sadly, those that have the potential to do so, like KatV, Seven Kingdoms and Aska, have never been given the chance to do so no matter how hard they have worked. Even bands like Manilla Road, Helstar and Sanctuary, can barely scratch out a music existence despite their histories. So, if you are one of the acts from Europe, why should be the builder of a scene that may or may not exist on its own?
What also shocks me is how in the hell do these guys not get paid? Are there not contracts? Are their managers robbing these bands blind? Or, are they plain incompetent?
Just these two facts alone would make anyone spooked of touring the US, never mind the ball-busting the USCIS gives you in order to protect non-existent American artists.
What also shocks me is how in the hell do these guys not get paid? Are there not contracts? Are their managers robbing these bands blind? Or, are they plain incompetent?
Just these two facts alone would make anyone spooked of touring the US, never mind the ball-busting the USCIS gives you in order to protect non-existent American artists.