Finally...

I'm not quite sure of some expressions, but you'll get the point.
Summary of the review from Stormbringer:
Fine stuff from the USA that includes more European elements into their sound than SX or DT do.
Prog metal on a highest level, with a playing time of impressive 75 minutes. Oblique (?) beats, speedy and interesting guitar playing, along with absolute killer hooks and great atmospheric passages and an extremely talented shouter, stylistically a mix between Russell Allen and Daniel Gildenlöw. Almost nothing to complain about.
You gotta take the time and spin the record a few times. There's too much happening to get all the details on first listen. There are saxophones playing oriental melodies. In vein, you are looking for stringent song structrues. The author has to admit that sometimes, it's a bit "over the top". Most prog parts are interesting, but others are complety ill-timed or a pure end in itself. But it's okay, as there are many prog bands on a high level that have these parts.
Especially the guitar sound could be better production-wise, but overall, the production is good.
The author loves the PoS references (like in the great "Siren" and "Reign" - being the highlights next to "The Light of Fire" and "Let Freedom Ring"). On these tracks, Clay's voice has this Gildenlöw touch.
Conclusion: very challenging album that will provide many hours of entertainment on a high level - if you are willing to take the time. But it will be very rewarding! Of course, less could be more sometimes. Some tracks suffer from too many progressive parts, breaks and oblique harmonies. Nevertheless, fans of progressive rock and metal by bands like SX, DT, Vanden Plas or PoS should check it out!
Summary of the review from Metal Underground:
Suspyre proves that symphonic prog metal is not only an European thing. There are just a few bands that have such a force of sound as Suspyre has. Still being a sleeper in the music scene, the new album could change their status.
The opening track has a rough, powerful sound, enriched by melodic keyboards and progressive elements. The strong voice fits the material very well without trying to immediately hit any high notes.
"Evolutions" is more bombastic with a lot of synth sounds, along with sounds that almost have the character of a score. Very playful, with a bit of raw power that makes the track very complex. Like in a mosaic, many ideas were put together in this monumental track.
The next track starts slowly, but soon becomes a speedy number. Once more, the good sound shines in this song. The guitar players are very good. The track has many progressive arrangements, but not too many.
"Siren" reminds of a score. Usually, the author dislikes saxophones, but not here. The song simply makes him enjoy all the ideas and the sound.
The violin arrangements in "Reign" give the song kind of a folk character, with progressive elements being more in the background.
One can't get enough of the band's theatratical sound that is balanced in every moment.
The growling vocals in "The Light of the Fire" fit the song very well and could also enrich the other material.
The last song almost has the character of a metal opera.
Conclusion: very impressive album with a lot of bombastic, progressive, symphonic, raw and hard elements. Definitely not an album for a quick listen, but very rewarding for the patient listener.