'Twas 1983 when I wandered into my school library and saw Piece of Mind in the selection of tapes available to borrow. I was six going on seven and developed an instant fascination with the cover. I thought the music itself would be even scarier, so I went home with some Split Enz instead .
(That same library also had copies of KISS Unmasked and Fireball by Deep Purple, which a friend of mine cautioned me not to borrow because it was "horrible". Oh ye of little taste.)
Three years later I'd changed schools and discovered that the "cool kids" in my Year 5 class were all into Maiden. I remembered this band that terrified yet intrigued me and decided to work up the courage to investigate further. I went to the new public library to see which albums they had, put myself on the list for Live After Death and Somewhere In Time, waited a couple of weeks for them to arrive and slotted them into the Toshiba tape deck I got for my tenth birthday. Ah, happy days...
The rest, as they say, is history. I also remember a review of SIT and Motorhead's Orgasmatron in the January '87 issue of Countdown Magazine. The writer seemed to prefer Lemmy and co. He said something like "at least Motorhead have a tune you can listen and whistle to, even if it does have screaming guitars all over it."
W
(That same library also had copies of KISS Unmasked and Fireball by Deep Purple, which a friend of mine cautioned me not to borrow because it was "horrible". Oh ye of little taste.)
Three years later I'd changed schools and discovered that the "cool kids" in my Year 5 class were all into Maiden. I remembered this band that terrified yet intrigued me and decided to work up the courage to investigate further. I went to the new public library to see which albums they had, put myself on the list for Live After Death and Somewhere In Time, waited a couple of weeks for them to arrive and slotted them into the Toshiba tape deck I got for my tenth birthday. Ah, happy days...
The rest, as they say, is history. I also remember a review of SIT and Motorhead's Orgasmatron in the January '87 issue of Countdown Magazine. The writer seemed to prefer Lemmy and co. He said something like "at least Motorhead have a tune you can listen and whistle to, even if it does have screaming guitars all over it."
W