Yyrkoon - Occult Medicine

circus_brimstone

Forest: Sold Out
Jul 5, 2003
5,154
13
38
40
Indiana
Yyrkoon – Occult Medicine
Osmose Productions – January 18th, 2005
By Jason Jordan

yyrkoon.jpg


Though I’d suggest Yyrkoon relocate if/when World War III breaks out, the guys are fine to reside in France as long as their music continues to flourish as it does on Occult Medicine. At times they’re technical, ultra-heavy, or a mixture of both. Don’t be flabbergasted when a riff demands your attention, and then rapid double-bass solidifies the former’s command; it will happen throughout the course of the audible meal.

“Intro,” as with other introductory pieces, serves as the springboard for Yyrkoon’s latest output. “Doctor X” is unapologetic in the way it jumps into a thrashy death riff, and runs with it. I can picture bands such as Behemoth and Decapitated on the same bill as the Frenchmen, and being totally comfortable with it. Trying not to get sucked in by the band’s sheer use of drumming variations, attentive riffing, and solid beats is akin to quelling a fire by beating it with a stick: it’s just not gonna happen. Leads – contrived or not – continually enter the fray, and don’t strike me as particularly interesting. In other words, Occult Medicine would’ve been just as well without them. “Occult Medicine,” the album’s title track, delves into a cornucopia of elements like including a preface/intro, using galloping bass drums for punctuation, and altering the song’s pace when advantageous. “Revenant Horde” plunges back into pure death metal, though, as Steph (guitar, vocals) growls over the instrumentation for seconds on end. It’s a cliché I know, but also I have to admit that the rawness captivates me every time. “Reversed World” and “Trapped Into Life” commence aggressively perhaps as expected, although “Surgical Distortion” utilizes a fade-in before unwittingly assaulting the listener. Mostly, the quartet is straightforward rather than forward thinking in its iteration of the metal of death. And, sometimes that’s not a bad thing.

This nuance of the metal style will probably not be driven into obsolescence anytime soon. Miraculously, Yyrkoon have improbably mastered the art of gripping a listener insomuch that said individual will not be in awe of Occult Medicine, but will turn an ear towards the band in definitive admiration.

8.5/10

Official Yyrkoon website
Official Osmose Productions website
 
This is a killer record where every song kicks ass! The band uses distinct songwriting that still manages to rage on every cut.

The last paragraph above kind of had me scratching my head but I think I agree? :loco:
 
Dr. Abner Mality said:
This is a killer record where every song kicks ass! The band uses distinct songwriting that still manages to rage on every cut.

The last paragraph above kind of had me scratching my head but I think I agree? :loco:

All I was saying was that this type of death metal isn't going to become obsolete anytime soon. And, I wasn't in awe of this album; however, I thought it was a fantastic release. It doesn't really matter if you understand me or not, as long as you agree with me! :D